Both an indelible portrait of the artist as a weird young man and an elegant survey of one of the most vital and...
Former Musician and Life editor Scherman (Backbeat: Earl Palmer’s Story, 2000) and Rolling Stone founding editor Dalton (Edie Factory Girl, 2006, etc.) offer a comprehensive reappraisal of the ’60s heyday of pop-art savant Andy Warhol.
The authors focus on the techniques and governing philosophy of the work that profoundly influenced both “high” and “low” culture, effectively collapsing the barrier between the two. Examining Warhol’s most fertile period, roughly 1961 to the artist’s near-fatal shooting in 1968, Scherman and Dalton marshal a staggering amount of research and copious interviews with Warhol’s associates to provide new insights into the creation of the famous images of soup cans and soda bottles, serial celebrity portraits, multimedia happenings and experimental films that alternately energized and horrified the fine-art establishment. Though the authors concentrate mostly on the work itself, it is so inextricably tied to Warhol’s personality that a psychological portrait of the artist emerges. Warhol, morbidly shy and insecure, sexually stymied and determinedly vague and affectless, inserted himself into the heart of the culture through a native sense of canny manipulation and an infallible eye for design. Childish, casually cruel and ruthless in his personal and professional relationships, Warhol stands as a monument to the power of passive aggression. Vivid portraits of such Warhol-adjacent luminaries as Jasper Johns, The Velvet Underground, Bob Dylan and Factory “superstars” Edie Sedgwick and Gerard Malanga provide much of the narrative’s color, elements that recombined in endlessly fascinating and fruitful ways with Warhol as the gnomic, giggling catalyst.
Both an indelible portrait of the artist as a weird young man and an elegant survey of one of the most vital and revolutionary periods in American popular culture—a richly detailed, kaleidoscopic treat.Pub Date: Nov. 1, 2009
ISBN: 978-0-06-621243-2
Page Count: 528
Publisher: Harper/HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Sept. 15, 2009
BOOK REVIEW
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
SEEN & HEARD
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.
Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.
The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.Pub Date: April 21, 2020
ISBN: 978-1-250-21458-4
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Jan. 19, 2020
Kirkus Reviews Issue: Feb. 15, 2020
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