Shades of Tom Robbins, but the author’s talent for wordplay is not quite enough to sustain a full-length novel.
Hippie values prevail in this whimsical satire directed at the military/industrial/academic complex, a debut novel that has become somewhat of a cult hit since it was self-published in 2001.
Tynee University—so named at the insistence of its blustering, egomaniacal president and CEO, Tibor Tynee—has a cozy relationship with big business; narrator Flake Fountain, a molecular geneticist, is especially successful at attracting grant money. The physically unappealing Flake (“chubby, bald, drooling”) is best friends with Blip Korterly and his wife, Dr. Sophia Carthorse. Sophia is still on the faculty, but Blip recently lost his job as a sociology professor. They are old-fashioned hippies, living with their daughter Dandelion in a geodesic dome; Flake finds their playfulness delightful. He has just been given a top-secret assignment by Tynee. The university, together with the military (represented by General Kiljoy), has developed the Pied Piper virus, which disables enemies’ symbolic capacity, rendering them unable to communicate. It’s a significant advance in humane warfare, but the military has yet to develop a vaccine; Flake will be paid $10 million to do just that. The virus has already been tested on humans, with prisoners as subjects; one of them is Blip, who had heard of the experiments and deliberately gotten himself arrested. However, he manages to escape, and joins a wild open-air party on campus, spreading the virus; this entails the termination of the project and a blockade of the city. Throughout the narrative, suspense takes a backseat to philosophizing and linguistic fireworks as Flake holds forth on such topics as love, language, evolution and free will. But not to worry. It turns out that the virus is not as sinister as expected, as evidenced by the happy, liberated populace dancing on the city’s perimeter. Flake concludes that we must love one another, live in the present and act like his neighbors, naked except for their rainbow cloaks.
Shades of Tom Robbins, but the author’s talent for wordplay is not quite enough to sustain a full-length novel.Pub Date: April 2, 2007
ISBN: 0-15-603122-1
Page Count: 400
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2007
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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