For all their gory antecedents, Lee's characters—and her plot—are strangely bloodless and noncompelling.
A young woman learns she’s a descendant of a notorious female serial killer and must stay one step ahead of an organization hellbent on killing her.
Emily Porter wakes up in a Maine cabin with only vague recollections of undergoing a memory-erasing procedure. All she knows is that she wants to live a normal, quiet life, but those hopes are dashed upon meeting the intriguingly foreign Luka Novak at the local Food Mart. Just as quickly, she’s whisked away by another Eastern European, Rolan Vasilescu, who tells her that Luka isn’t what he seems—the theme of shifting loyalties is underscored ad nauseam throughout—only to be pursued by Luka. Turns out that Rolan is the bad guy, and handsome Luka’s mission is protection—or is it? And Emily Porter? She’s really Audra Ellison, revered by a secret sect who, like her, are all descended from the murderous Hungarian “Blood Countess” Elizabeth Bathory, thought to have murdered 600 people during her 17th-century reign of terror. These Progeny, as they’re known, are hunted by the Scion, descendants of Bathory’s victims, and led by the Historian. Audra learns not only that she has special, persuasive powers—think vampires and glamouring—but also that she voluntarily wiped her own memory to keep certain information a secret. Soon she and Luka are crisscrossing Europe from Croatia to Vienna in an attempt to find a diary that could hold the key to her survival or the Progeny’s extinction. Lee (The Legend of Sheba, 2014, etc.) dispenses with plausibility early on, yet even in a fantasy world, Audra would still grate as a pseudo-heroine constantly in need of protection.
For all their gory antecedents, Lee's characters—and her plot—are strangely bloodless and noncompelling.Pub Date: May 24, 2016
ISBN: 978-1-4767-9869-1
Page Count: 384
Publisher: Howard Books/Simon & Schuster
Review Posted Online: March 2, 2016
Kirkus Reviews Issue: March 15, 2016
Hoffman (The Red Garden, 2011, etc.) births literature from tragedy: the destruction of Jerusalem's Temple, the siege of Masada and the loss of Zion.
This is a feminist tale, a story of strong, intelligent women wedded to destiny by love and sacrifice. Told in four parts, the first comes from Yael, daughter of Yosef bar Elhanan, a Sicarii Zealot assassin, rejected by her father because of her mother's death in childbirth. It is 70 CE, and the Temple is destroyed. Yael, her father, and another Sicarii assassin, Jachim ben Simon, and his family flee Jerusalem. Hoffman's research renders the ancient world real as the group treks into Judea's desert, where they encounter Essenes, search for sustenance and burn under the sun. There too Jachim and Yael begin a tragic love affair. At Masada, Yael is sent to work in the dovecote, gathering eggs and fertilizer. She meets Shirah, her daughters, and Revka, who narrates part two. Revka's husband was killed when Romans sacked their village. Later, her daughter was murdered. At Masada, caring for grandsons turned mute by tragedy, Revka worries over her scholarly son-in-law, Yoav, now consumed by vengeance. Aziza, daughter of Shirah, carries the story onward. Born out of wedlock, Aziza grew up in Moab, among the people of the blue tunic. Her passion and curse is that she was raised as a warrior by her foster father. In part four, Shirah tells of her Alexandrian youth, the cherished daughter of a consort of the high priests. Shirah is a keshaphim, a woman of amulets, spells and medicine, and a woman connected to Shechinah, the feminine aspect of God. The women are irretrievably bound to Eleazar ben Ya'ir, Masada's charismatic leader; Amram, Yael's brother; and Yoav, Aziza's companion and protector in battle. The plot is intriguingly complex, with only a single element unresolved. An enthralling tale rendered with consummate literary skill.
Pub Date: Oct. 4, 2011
ISBN: 978-1-4516-1747-4
Page Count: 512
Publisher: Scribner
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: April 15, 2011
Neither story is anywhere near Westlake’s best work, but they still make a terrific tragicomic pair.
Hard Case revives a pair of movie-related novellas originally published under the cryptic title Enough in 1977.
A Travesty, the first and longer of these stories, opens with movie reviewer Carey Thorpe standing over the dead body of actress Laura Penney, the lover with whom his quarrel had suddenly and fatally escalated. Even though her death was technically an accident, Carey, who doesn’t want anyone connecting him with it, immediately begins concealing all indications that he was ever in her apartment. It’s all for naught: Soon he finds himself blackmailed by private detective John Edgarson and having to commit another felony to satisfy his demands. From that point on, his dilemma rapidly spirals into one of the comic nightmares in which Westlake (Brothers Keepers, 1975/2019, etc.) specialized: Moments in which he’s threatened with exposure alternate with long intervals in which NYPD DS Al Bray and especially DS Fred Staples, who’ve decided that he’s innocent, take Carey under their wings, marveling at his ability to solve murders committed by other people; then he caps his transgressions by taking Staples’ wife, Patricia, to bed. The second novella, Ordo, couldn’t be more different. The naval mates of Ordo Tupikos, a deeply ordinary San Diego sailor, tell him that Estelle Anlic, the woman whose marriage to him was annulled years ago when the courts, egged on by her mother, discovered that she was underage, has transformed herself into movie star Dawn Devayne. Against all odds, he manages to reintroduce himself to Estelle, or Dawn, but although her agent plays it as a storybook reunion, Orry just can’t find Estelle in Dawn, who’s changed a lot more than he has, and the tale ends on a note of sad resignation.
Neither story is anywhere near Westlake’s best work, but they still make a terrific tragicomic pair.Pub Date: Feb. 4, 2020
ISBN: 978-1-78565-720-7
Page Count: 256
Publisher: Hard Case Crime
Review Posted Online: Oct. 26, 2019
Kirkus Reviews Issue: Nov. 15, 2019
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