While its visually focused approach doesn’t dig deep, this book deftly spotlights lesser-known figures from Portland’s past.
Two historians offer a brief look at the role women have played in the evolution of Portland, Oregon.
Prince (Culture Wars in British Literature, 2012, etc.) and debut author Schaffer highlight the many notable ways women have shaped Oregon’s largest city in this informative book, part of Arcadia Publishing’s Images of America series. The authors’ aim was “to do our part to mend the telling of Portland’s history,” which has traditionally focused on men. In particular, they draw attention to the lives of Native Americans and other women of color. They begin with the “forgotten history” of the city before the arrival of white settlers in the 1840s and continue through the post–World War II era into the present. Separate chapters cover women in the arts from the 1890s onward (such as noted children’s author Beverly Cleary) and women in politics from the 1920s to today. As with other volumes in this series, the emphasis is on historical photographs, newspaper clippings, and other documents, which are accompanied by short captions. The result is a visually interesting but necessarily scattershot history. Still, the authors have wisely chosen to concentrate on certain themes, such as the fight for women’s suffrage or women’s work on the homefront during World War II, which helps to provide an overarching context to the text and images. In some cases, more details would have been helpful in understanding the broader historical events that provided the backdrop to the women’s actions. For example, a number of African American women who fought for civil rights are admirably profiled, but a statement that Oregon’s 1953 law banning discrimination in public accommodations put it “a decade ahead of the nation in passing civil rights laws” downplays the state’s troubling history of racial exclusion. Yet the authors are to be commended for their efforts to document the experiences of a diverse group of Portland women. Many of them seem ripe for a more in-depth exploration, such as Lucy A. Mallory, a suffragist and writer whom Tolstoy once called the “greatest woman in America.”
While its visually focused approach doesn’t dig deep, this book deftly spotlights lesser-known figures from Portland’s past.Pub Date: June 5, 2017
ISBN: 978-1-4671-2505-5
Page Count: 128
Publisher: Arcadia Books
Review Posted Online: June 14, 2019
Kirkus Reviews Issue: July 15, 2019
Review Program: Kirkus Indie
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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