Required reading for all Americans.
A searing investigation of the violent oppression experienced by Black women and girls in America.
Lindsey, a professor of women’s, gender, and sexuality studies at Ohio State, takes her title from Nina Simone’s scathing civil rights anthem, “Mississippi Goddam.” Explaining anti-Black racism as a matter of life or death, Lindsey takes an intersectional approach, showing how multiple forms of subjugation, including misogynoir, poverty, ableism, and transphobia, overlap and embolden one another. In each chapter, the author examines a specific form of contemporary violence causing irreparable harm. “You can’t support policing and affirm that Black lives matter,” writes Lindsey before delineating ways in which U.S. policing is rooted in the enslavement of captive Africans, slave patrols, and the protection of White wealth. The author references innumerable sociological studies in addition to the works of scholars such as Kimberlé Crenshaw, Angela Davis, and Saidiya Hartman. She points to the deaths of Sandra Bland and Breonna Taylor, for instance, not as exceptional but rather illustrative of a larger underlying issue. “Criminalizing Black women and girls’ survival is a distinct form of devaluing Black life,” writes Lindsey, “as well as a unique form of racial and gender terror.” She recounts her own sexual assault by a police officer at 17 to underscore and personalize her argument that Black women and girls historically and contemporarily are relegated to systemic abuses—and then told to “silently endure.” As the author clearly shows, patriarchy, in conjunction with capitalism and White supremacy, has harmed Black women and girls for hundreds of years. “It is imperative to me as a Black feminist,” she writes, “to attempt to talk about all victims in life-affirming ways.” The epilogue is a letter to Ma’Khia Bryant, a 16-year-old fatally shot by a Columbus, Ohio, police officer in 2021: “I understand there’s no such thing as justice for you. I can, however, struggle for the abolition of these death-dealing systems with the hope that you know your beautiful life is a propelling force.”
Required reading for all Americans.Pub Date: April 5, 2022
ISBN: 978-0-520-38449-1
Page Count: 320
Publisher: Univ. of California
Review Posted Online: March 14, 2022
Kirkus Reviews Issue: April 1, 2022
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.
Portraits in a post-pandemic world.
After the Covid-19 lockdowns left New York City’s streets empty, many claimed that the city was “gone forever.” It was those words that inspired Stanton, whose previous collections include Humans of New York (2013), Humans of New York: Stories (2015), and Humans (2020), to return to the well once more for a new love letter to the city’s humanity and diversity. Beautifully laid out in hardcover with crisp, bright images, each portrait of a New Yorker is accompanied by sparse but potent quotes from Stanton’s interviews with his subjects. Early in the book, the author sequences three portraits—a couple laughing, then looking serious, then the woman with tears in her eyes—as they recount the arc of their relationship, transforming each emotional beat of their story into an affecting visual narrative. In another, an unhoused man sits on the street, his husky eating out of his hand. The caption: “I’m a late bloomer.” Though the pandemic isn’t mentioned often, Stanton focuses much of the book on optimistic stories of the post-pandemic era. Among the most notable profiles is Myles Smutney, founder of the Free Store Project, whose story of reclaiming boarded‑up buildings during the lockdowns speaks to the city’s resilience. In reusing the same formula from his previous books, the author confirms his thesis: New York isn’t going anywhere. As he writes in his lyrical prologue, “Just as one might dive among coral reefs to marvel at nature, one can come to New York City to marvel at humanity.” The book’s optimism paints New York as a city where diverse lives converge in moments of beauty, joy, and collective hope.
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.Pub Date: Oct. 7, 2025
ISBN: 9781250277589
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Aug. 1, 2025
Kirkus Reviews Issue: Sept. 1, 2025
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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