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FIVE SUMMERS

In the end, this debut feels long and may not contain enough real substance to appeal to even the most avid of summer-camp...

BFFs Emma, Jo, Skylar and Maddie meet up at Camp Nedoba the year after their last summer at the traditional camp, intending to renew their personal vows of loyalty to each other and to enjoy a nostalgic week of s’mores and summer fun.

The lifelong friendships start to crack under the strain of very real adult dilemmas caused by boyfriend trouble, deception and betrayal. The girls are forced to examine their summer-camp relationships through the prism of their increasingly complex lives. Each of the four harbors a secret that is revealed at an inopportune moment. Middle-class Maddie has invented a wealthy family; Skylar doesn’t get along with her demanding father; Emma has a secret, unrequited passion for one of the boys at camp; tomboy Jo, the daughter of the camp owner, realizes that being the life and soul of camp administration is not helping her image in the boyfriend stakes. However, in the end, friendship trumps all, and each girl finds her own resolution to life’s gnarly problems. The chirpy narrative, though introduced in Emma’s first-person, alternates its third-person focus from girl to girl and is punctuated by flashbacks to earlier summers. Despite orienting chapter headers, the lack of differentiation of flashbacks from the present-day story is sometimes confusing.

In the end, this debut feels long and may not contain enough real substance to appeal to even the most avid of summer-camp fans. (Fiction. 12-16)

Pub Date: May 16, 2013

ISBN: 978-1-59514-672-4

Page Count: 384

Publisher: Razorbill/Penguin

Review Posted Online: March 26, 2013

Kirkus Reviews Issue: April 15, 2013

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THE FIELD GUIDE TO THE NORTH AMERICAN TEENAGER

Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice.

A teenage, not-so-lonely loner endures the wilds of high school in Austin, Texas.

Norris Kaplan, the protagonist of Philippe’s debut novel, is a hypersweaty, uber-snarky black, Haitian, French-Canadian pushing to survive life in his new school. His professor mom’s new tenure-track job transplants Norris mid–school year, and his biting wit and sarcasm are exposed through his cataloging of his new world in a field guide–style burn book. He’s greeted in his new life by an assortment of acquaintances, Liam, who is white and struggling with depression; Maddie, a self-sacrificing white cheerleader with a heart of gold; and Aarti, his Indian-American love interest who offers connection. Norris’ ego, fueled by his insecurities, often gets in the way of meaningful character development. The scenes showcasing his emotional growth are too brief and, despite foreshadowing, the climax falls flat because he still gets incredible personal access to people he’s hurt. A scene where Norris is confronted by his mother for getting drunk and belligerent with a white cop is diluted by his refusal or inability to grasp the severity of the situation and the resultant minor consequences. The humor is spot-on, as is the representation of the black diaspora; the opportunity for broader conversations about other topics is there, however, the uneven buildup of detailed, meaningful exchanges and the glibness of Norris’ voice detract.

Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice. (Fiction. 13-16)

Pub Date: Jan. 8, 2019

ISBN: 978-0-06-282411-0

Page Count: 384

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: Oct. 14, 2018

Kirkus Reviews Issue: Nov. 1, 2018

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SALT TO THE SEA

Heartbreaking, historical, and a little bit hopeful.

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January 1945: as Russians advance through East Prussia, four teens’ lives converge in hopes of escape.

Returning to the successful formula of her highly lauded debut, Between Shades of Gray (2011), Sepetys combines research (described in extensive backmatter) with well-crafted fiction to bring to life another little-known story: the sinking (from Soviet torpedoes) of the German ship Wilhelm Gustloff. Told in four alternating voices—Lithuanian nurse Joana, Polish Emilia, Prussian forger Florian, and German soldier Alfred—with often contemporary cadences, this stints on neither history nor fiction. The three sympathetic refugees and their motley companions (especially an orphaned boy and an elderly shoemaker) make it clear that while the Gustloff was a German ship full of German civilians and soldiers during World War II, its sinking was still a tragedy. Only Alfred, stationed on the Gustloff, lacks sympathy; almost a caricature, he is self-delusional, unlikable, a Hitler worshiper. As a vehicle for exposition, however, and a reminder of Germany’s role in the war, he serves an invaluable purpose that almost makes up for the mustache-twirling quality of his petty villainy. The inevitability of the ending (including the loss of several characters) doesn’t change its poignancy, and the short chapters and slowly revealed back stories for each character guarantee the pages keep turning.

Heartbreaking, historical, and a little bit hopeful. (author’s note, research and sources, maps) (Historical fiction. 12-16)

Pub Date: Feb. 2, 2016

ISBN: 978-0-399-16030-1

Page Count: 400

Publisher: Philomel

Review Posted Online: Nov. 2, 2015

Kirkus Reviews Issue: Nov. 15, 2015

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