by Valerie Martin ‧ RELEASE DATE: Aug. 18, 2015
Varied, engaging, and often shocking.
A career-spanning collection of short stories that illustrates the writer’s preoccupation with animals, artists, and the fantastical.
The stories in this volume—split into sections called “Among the Animals,” “Among the Artists,” and “Metamorphoses”—were gathered from more than 30 years of Martin’s published work (The Ghost of the Mary Celeste, 2014, etc.). But one recurring question, which Martin voices in her introduction, is strung through them all: “Are we animals, or are we something else?” Whether they’re self-absorbed painters, deserted women, or even centaurs, Martin’s characters are torn between the facades they don and the baser, more animalistic impulses—the needs for power, attention, and revenge—that animate them. In "Spats," Lydia, who’s recently been abandoned by her husband, contemplates exacting revenge on his beloved dogs, which are still in her care. "The Freeze" finds a middle-aged teacher spurned by a young love interest at a party; in a resulting state of self-pity, she ignores an ominous noise outside her house during a thunderstorm. "Among the Artists" offers "The Unfinished Novel," the collection’s standout. Maxwell, a moderately successful novelist, is visiting his hometown of New Orleans when he encounters Rita Richard, a former lover from his graduate writing program who broke his heart long ago. Once golden-haired and blessed with a prose style that “made us all sick with envy,” Rita is now frumpy and still unpublished, so Maxwell assures himself of his superiority; but when, after her death, he finds himself in possession of her writing, he must decide between his curiosity and contempt. Here, the characters are sketched with such complexity that the reader’s sympathies are torn for the whole story. While the final section showcases Martin’s imagination—a brutal mermaid watches humans drown in the eponymous "Sea Lovers"; a centaur falls in love with the opera in "Et In Arcadiana Ego"—Martin doesn’t enter those characters’ minds quite as deeply as in her other stories, making them less emotionally appealing. But overall, this is an insightful look into the evolution of Martin’s writing and her talent for depicting our darker natures.
Varied, engaging, and often shocking.Pub Date: Aug. 18, 2015
ISBN: 978-0-385-53352-2
Page Count: 336
Publisher: Nan A. Talese
Review Posted Online: May 31, 2015
Kirkus Reviews Issue: June 15, 2015
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by Tim O’Brien ‧ RELEASE DATE: March 28, 1990
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
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SEEN & HEARD
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SEEN & HEARD
by George R.R. Martin ; illustrated by Gary Gianni ‧ RELEASE DATE: Oct. 6, 2015
As Tolkien had his Silmarillion, so Martin has this trilogy of foundational tales. They succeed on their own, but in...
Huzzah! Martin (The Ice Dragon, 2014, etc.) delivers just what fans have been waiting for: stirring tales of the founding of the Targaryen line.
Duncan—Dunk for short—has his hapless moments. He’s big, nearly gigantic, “hugely tall for his age, a shambling, shaggy, big-boned boy of sixteen or seventeen.” Uncertain of himself, clumsy, and alone in the world, he has every one of the makings of a hero, if only events will turn in that direction. They do, courtesy of a tiny boy who steals into the “hedge knight” Dunk’s life and eventually reveals a name to match that of Ser Duncan the Tall—an altogether better name, at that, than Duncan of Flea Bottom would have been. Egg, as the squire calls himself, has a strange light about him, as if he will be destined to go on to better things, as indeed he will. Reminiscent of a simpler Arthur Rackham, the illustrations capture that light, as they do the growing friendship between Dunk and Egg—think Manute Bol and Muggsy Bogues, if your knowledge of basketball matches your interest in fantasy. This being Martin, that friendship will not be without its fraught moments, its dangers and double crosses and knightly politics. There are plenty of goopily violent episodes as well, from jousts (“this time Lord Leo Tyrell aimed his point so expertly he ripped the Grey Lion’s helm cleanly off his head”) to medieval torture (“Egg…used the hat to fan away the flies. There were hundreds crawling on the dead men, and more drifting lazily through the still, hot air.”). Throughout, Martin delivers thoughtful foreshadowing of the themes and lineages that will populate his Ice and Fire series, in which Egg, it turns out, is much less fragile than he seems.
As Tolkien had his Silmarillion, so Martin has this trilogy of foundational tales. They succeed on their own, but in addition, they succeed in making fans want more—and with luck, Martin will oblige them with more of these early yarns.Pub Date: Oct. 6, 2015
ISBN: 978-0-345-53348-7
Page Count: 368
Publisher: Bantam
Review Posted Online: Oct. 6, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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edited by George R.R. Martin with Melinda M. Snodgrass
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