Now: good to book. Just three rungs up (good, goon, boon, book) and well-worth the climb.
Wyatt introduces kids to word ladders, in which a starting word leads step by step, by the substitution of one letter at a time, to a final word.
Lewis Carroll, who came up with lots of good word games, invented one called “doublets,” in which you took a word and changed one letter at a time to arrive at another word, often an opposite; for instance, push to pull: push, hush, husk, hulk, hull, pull. Easy peasy. Rain to snow, in eight moves. It’s a bit like chess, and it can be just as exasperating and invigorating. OK, here you go: rain, raid, said, slid, slip, ship, shop, show, snow. But you knew that, right? Almost any introduction to this word game is worth the entrance fee, and this one passes the mark easily. The artwork deftly and colorfully borrows from conventions of animation to provide two-page scenes that carry readers on each word journey, and there is a little narrative twist at the end, about whether or not a character is real or just a toy (boy into toy), which forces readers to stake a grasp on reality as they twist and turn these words into those words. A note at the end should set readers, both adults and kids, on their way to making their own word ladders.
Now: good to book. Just three rungs up (good, goon, boon, book) and well-worth the climb. (Picture book. 4-8)Pub Date: Aug. 1, 2013
ISBN: 978-1-55453-824-9
Page Count: 32
Publisher: Kids Can
Review Posted Online: June 7, 2013
Kirkus Reviews Issue: June 15, 2013
Innocuous adventuring on the smallest of scales.
The Mouse and the Motorcycle (1965) upgrades to The Mice and the Rolls-Royce.
In Windsor Castle there sits a “dollhouse like no other,” replete with working plumbing, electricity, and even a full library of real, tiny books. Called Queen Mary’s Dollhouse, it also plays host to the Whiskers family, a clan of mice that has maintained the house for generations. Henry Whiskers and his cousin Jeremy get up to the usual high jinks young mice get up to, but when Henry’s little sister Isabel goes missing at the same time that the humans decide to clean the house up, the usually bookish big brother goes on the adventure of his life. Now Henry is driving cars, avoiding cats, escaping rats, and all before the upcoming mouse Masquerade. Like an extended version of Beatrix Potter’s The Tale of Two Bad Mice (1904), Priebe keeps this short chapter book constantly moving, with Duncan’s peppy art a cute capper. Oddly, the dollhouse itself plays only the smallest of roles in this story, and no factual information on the real Queen Mary’s Dolls’ House is included at the tale’s end (an opportunity lost).
Innocuous adventuring on the smallest of scales. (Fantasy. 6-8)Pub Date: Jan. 3, 2017
ISBN: 978-1-4814-6575-5
Page Count: 144
Publisher: Aladdin
Review Posted Online: Sept. 18, 2016
Kirkus Reviews Issue: Oct. 1, 2016
A welcome addition to autumnal storytelling—and to tales of traditional enemies overcoming their history.
Ferry and the Fans portray a popular seasonal character’s unlikely friendship.
Initially, the protagonist is shown in his solitary world: “Scarecrow stands alone and scares / the fox and deer, / the mice and crows. / It’s all he does. It’s all he knows.” His presence is effective; the animals stay outside the fenced-in fields, but the omniscient narrator laments the character’s lack of friends or places to go. Everything changes when a baby crow falls nearby. Breaking his pole so he can bend, the scarecrow picks it up, placing the creature in the bib of his overalls while singing a lullaby. Both abandon natural tendencies until the crow learns to fly—and thus departs. The aabb rhyme scheme flows reasonably well, propelling the narrative through fall, winter, and spring, when the mature crow returns with a mate to build a nest in the overalls bib that once was his home. The Fan brothers capture the emotional tenor of the seasons and the main character in their panoramic pencil, ballpoint, and digital compositions. Particularly poignant is the close-up of the scarecrow’s burlap face, his stitched mouth and leaf-rimmed head conveying such sadness after his companion goes. Some adults may wonder why the scarecrow seems to have only partial agency, but children will be tuned into the problem, gratified by the resolution.
A welcome addition to autumnal storytelling—and to tales of traditional enemies overcoming their history. (Picture book. 4-6)Pub Date: Sept. 3, 2019
ISBN: 978-0-06-247576-3
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: May 7, 2019
Kirkus Reviews Issue: June 1, 2019
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