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AN EARL, THE GIRL, AND A TODDLER

From the Rogues and Remarkable Women series , Vol. 2

A historical romance of impressive heft.

An accidental father and a woman without a past combine to create an unusual family.

In 1812, families across England are devastated to hear of the wreck of the Minerva, a passenger ship en route from Jamaica. None is more upset than Daniel Thackery, Earl of Ashbrook, who was expecting Phoebe Dunn to arrive after they fell in love by correspondence and married by proxy. When he arrives at the docks, he’s instead presented with a toddler, one of the only survivors. Though Phoebe hadn't said anything about having a child, the girl is a "Blackamoor," like Phoebe and Daniel, and he decides to pretend he's her father and raise her in London. He names her Hope. Unbeknownst to Daniel, however, the girl's actual mother has also survived the wreck. Jemina St. Maur arrived in England suffering from amnesia and was put straight into Bedlam Hospital; she's lucky to be liberated with help from the Widow's Grace, a secret group led by Daniel's aunt that's devoted to helping women in trouble. Daniel and Jemina are charmed by each other, but it isn't until Jemina learns that Daniel knows more about her unremembered past than he's let on that their lives truly collide. The more they interact—particularly after Hope meets Jemina and grows attached—the more it seems clear they should be together. But their relationship is built on a series of lies and possibly even a complex conspiracy against Jemina, so it’s not clear they will be able to do so. In the second volume of the Rogues and Remarkable Women series, Riley builds on the world she first unfolded in A Duke, the Lady, and the Baby (2020), and readers should start there before moving to this volume. But it’s worth the investment, and fans of the first book will be delighted by this story, which brings the same elaborate storytelling and portrayal of a more diverse Regency world than is traditionally found. Riley’s commitment to writing the complex emotions of motherhood remains a crucial part of the series—also a welcome addition to the genre. Well-researched, with a fascinating author's note at the end, this story proves the first was no fluke.

A historical romance of impressive heft.

Pub Date: April 27, 2021

ISBN: 978-1-4201-5225-8

Page Count: 384

Publisher: Zebra/Kensington

Review Posted Online: Jan. 26, 2021

Kirkus Reviews Issue: Feb. 15, 2021

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THE LOVE HYPOTHESIS

Fresh and upbeat, though not without flaws.

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An earnest grad student and a faculty member with a bit of a jerkish reputation concoct a fake dating scheme in this nerdy, STEM-filled contemporary romance.

Olive Smith and professor Adam Carlsen first met in the bathroom of Adam's lab. Olive wore expired contact lenses, reducing her eyes to temporary tears, while Adam just needed to dispose of a solution. It's a memory that only one of them has held onto. Now, nearly three years later, Olive is fully committed to her research in pancreatic cancer at Stanford University's biology department. As a faculty member, Adam's reputation precedes him, since he's made many students cry or drop their programs entirely with his bluntness. When Olive needs her best friend, Anh, to think she's dating someone so Anh will feel more comfortable getting involved with Olive's barely-an-ex, Jeremy, she impulsively kisses Adam, who happens to be standing there when Anh walks by. But rumors start to spread, and the one-time kiss morphs into a fake relationship, especially as Adam sees there's a benefit for him. The university is withholding funds for Adam's research out of fear that he'll leave for a better position elsewhere. If he puts down more roots by getting involved with someone, his research funds could be released at the next budgeting meeting in about a month's time. After setting a few ground rules, Adam and Olive agree that come the end of September, they'll part ways, having gotten what they need from their arrangement. Hazelwood has a keen understanding of romance tropes and puts them to good use—in addition to fake dating, Olive and Adam are an opposites-attract pairing with their sunny and grumpy personalities—but there are a couple of weaknesses in this debut novel. Hazelwood manages to sidestep a lot of the complicated power dynamics of a student-faculty romance by putting Olive and Adam in different departments, but the impetus for their fake relationship has much higher stakes for Adam. Olive does reap the benefits of dating a faculty member, but in the end, she's still the one seemingly punished or taunted by her colleagues; readers may have been hoping for a more subversive twist. For a first novel, there's plenty of shine here, with clear signs that Hazelwood feels completely comfortable with happily-ever-afters.

Fresh and upbeat, though not without flaws.

Pub Date: Sept. 14, 2021

ISBN: 978-0-593-33682-3

Page Count: 384

Publisher: Berkley

Review Posted Online: July 27, 2021

Kirkus Reviews Issue: Aug. 15, 2021

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THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

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A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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