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Perky Girl: The Amazing Life of Bienna Molo

An admirable foray into novel-writing by a young writer.

A children’s novel by a 9-year-old author that follows the life an exceptionally perky girl who experiences mostly good things in life.

The book opens on a very young Bienna Molo when she’s just about to start preschool. She’s nervous about attending class and afraid that the other kids will make fun of her because she wears glasses. However, when she finally does reveal her eyewear, the class accepts her and is proud of her courage. This pattern continues throughout the book as readers follow Bienna through school, her career, and ultimately to her death at the age of 95. Although she encounters challenges—her older sister ran away when Bienna was 2, and at another point, a girl is mean to Bienna—these problems are generally solved very easily, often within the span of a page. The speed of these resolutions often makes the book read like a set of small, separate anecdotes without much continuity. For example, one day, Bienna has a birthday party, and the next chapter, out of the blue, her parents have a new baby, and both events are treated with the same significance. Bienna’s various experiences don’t seem to leave her in any way altered, and her voice doesn’t really change as she ages. This is understandable in a book written by a 9-year-old author, however, as it’s very unlikely that someone so young would be able to imbue a story of such scope with maturity and reflection. As it is, the book is a very impressive set of vignettes, considering its provenance.

An admirable foray into novel-writing by a young writer.

Pub Date: March 27, 2015

ISBN: 978-1-4602-2556-1

Page Count: 160

Publisher: FriesenPress

Review Posted Online: Oct. 15, 2015

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CINDERELLA

From the Once Upon a World series

A nice but not requisite purchase.

A retelling of the classic fairy tale in board-book format and with a Mexican setting.

Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.

A nice but not requisite purchase. (Board book/fairy tale. 3-5)

Pub Date: Sept. 13, 2016

ISBN: 978-1-4814-7915-8

Page Count: 24

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Oct. 11, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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THERE'S A MONSTER IN YOUR BOOK

From the Who's in Your Book? series

Playful, engaging, and full of opportunities for empathy—a raucous storytime hit.

Readers try to dislodge a monster from the pages of this emotive and interactive read-aloud.

“OH NO!” the story starts. “There’s a monster in your book!” The blue, round-headed monster with pink horns and a pink-tipped tail can be seen cheerfully munching on the opening page. “Let’s try to get him out,” declares the narrator. Readers are encouraged to shake, tilt, and spin the book around, while the monster careens around an empty background looking scared and lost. Viewers are exhorted to tickle the monster’s feet, blow on the page, and make a really loud noise. Finally, shockingly, it works: “Now he’s in your room!” But clearly a monster in your book is safer than a monster in your room, so he’s coaxed back into the illustrations and lulled to sleep, curled up under one page and cuddling a bit of another like a child with their blankie. The monster’s entirely cute appearance and clear emotional reactions to his treatment add to the interactive aspect, and some young readers might even resist the instructions to avoid hurting their new pal. Children will be brought along on the monster’s journey, going from excited, noisy, and wiggly to calm and steady (one can hope).

Playful, engaging, and full of opportunities for empathy—a raucous storytime hit. (Picture book. 2-7)

Pub Date: Sept. 5, 2017

ISBN: 978-1-5247-6456-2

Page Count: 32

Publisher: Random House

Review Posted Online: June 4, 2017

Kirkus Reviews Issue: June 15, 2017

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