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MAMA'S GIRL

An absorbing, often perturbing chronicle of a young African- American woman's coming of age. Chambers, a contributing editor of Glamour (and formerly a contributor to Kirkus), offers a revealing glimpse into her youth as an overachiever among adults who dismiss or reject her. (Put into a special class for gifted children, Chambers eagerly reports the news to her mother, who responds with a flat, ``That's nice.'') There is little at first to distinguish her childhood from those of the many children of hard-working families living in Flatbush, Brooklyn, in the 1970s. A secretary, Veronica's mother, a Panamanian immigrant, returns home at day's end with barely enough energy to tend to her two children's needs. But then Chambers's father decides to act on his dream to become ``the first famous black ventriloquist.'' He quits his job, is away for longer and longer periods of time, and finally abandons his wife and children. Things quickly fall apart. The family travels from Brooklyn to Los Angeles's South-Central district and back east. Chambers decides to live with her father when it becomes evident that her new stepfather cannot tolerate her. In a chilling series of episodes Chambers describes her stepmother's abuse and her father's remoteness. Despite her suffering, Chambers's mother never asks her to return home, though she does talk to her daughter almost every day. Admission to a private college in New England becomes the ambitious girl's salvation, and once on her own, she finds a way to reconcile with her mother. ``In my mother's arms,'' she says, ``I found healing.'' The author's brother does not fare as well, slipping into a hard, dangerous life on the streets. This provocative memoir is valuable not only as a family chronicle, but as a commentary on growing up African-American and on the complex feelings that assail those who leave poverty behind and move into the middle class. (Book-of-the-Month Club alternate selection; first serial to Glamour; author tour)

Pub Date: June 18, 1996

ISBN: 1-57322-030-2

Page Count: 208

Publisher: Riverhead

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1996

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HOWARD STERN COMES AGAIN

A surprisingly warm and consistently outspoken retrospective for both fans and celebrity followers.

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  • New York Times Bestseller

The self-described “king of all media” shares personal introspection and favorite celebrity interviews in his first book in two decades.

Stern (Miss America, 1995, etc.) is in top form in this entertaining amalgam of intimate confessional and Q-and-A archive. Opting for an older, wiser perspective this time around, the author strips away the juvenile raunch and sophomoric humor that made his first books runaway bestsellers. The book’s introduction, a meaty, contemplative 19-page affair, finds Stern, 65, candidly discussing his struggles with OCD, random regrets (namely his treatment of Robin Williams and Rosie O’Donnell), greatest moments (interviews with Conan O’Brien and Paul McCartney, animal rescue efforts), his move to SiriusXM in 2006, and the day he inexplicably took a rare show-day off to attend to an undisclosed cancer scare. It’s a kinder, gentler, all-grown-up side of the shock jock, which he credits to aggressive psychotherapy and his second wife, Beth. However, it’s the intimate, provocative celebrity interviews that make up the bulk of this weighty tome and which the author admits “represent my best work and show my personal evolution.” With his advancing age came wisdom, humility, empathy, and a dramatic sea change in the show’s direction and focus, as evidenced in more nuanced, probing interviews with Courtney Love, Joan Rivers, Michael J. Fox, Chris Cornell, and Lady Gaga, among others. Stern introduces each conversation with his personal perspective on the individual and the impression they made. His honest conversations with actors, music legends, and others represent an eclectic cross-section of celebrities, and his questions range from the piercing to the downright ridiculous. Perhaps the book’s most startling interview segments are those with a pre-presidential Donald Trump, whom Stern has interviewed dozens of times. Throughout the book, which is divided into thematic sections (“Sex & Relationships,” “Money & Fame,” “Drugs & Sobriety,” “Gone Too Soon,” etc.), the author’s personal growth and enduring legacy as a broadcast pioneer and unique profiler are on full display.

A surprisingly warm and consistently outspoken retrospective for both fans and celebrity followers.

Pub Date: May 14, 2019

ISBN: 978-1-5011-9429-0

Page Count: 560

Publisher: Simon & Schuster

Review Posted Online: May 20, 2019

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SWIMMING STUDIES

While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.

A disjointed debut memoir about how competitive swimming shaped the personal and artistic sensibilities of a respected illustrator.

Through a series of vignettes, paintings and photographs that often have no sequential relationship to each other, Shapton (The Native Trees of Canada, 2010, etc.) depicts her intense relationship to all aspects of swimming: pools, water, races and even bathing suits. The author trained competitively throughout her adolescence, yet however much she loved racing, “the idea of fastest, of number one, of the Olympics, didn’t motivate me.” In 1988 and again in 1992, she qualified for the Olympic trials but never went further. Soon afterward, Shapton gave up competition, but she never quite ended her relationship to swimming. Almost 20 years later, she writes, “I dream about swimming at least three nights a week.” Her recollections are equally saturated with stories that somehow involve the act of swimming. When she speaks of her family, it is less in terms of who they are as individuals and more in context of how they were involved in her life as a competitive swimmer. When she describes her adult life—which she often reveals in disconnected fragments—it is in ways that sometimes seem totally random. If she remembers the day before her wedding, for example, it is because she couldn't find a bathing suit to wear in her hotel pool. Her watery obsession also defines her view of her chosen profession, art. At one point, Shapton recalls a documentary about Olympian Michael Phelps and draws the parallel that art, like great athleticism, is as “serene in aspect” as it is “incomprehensible.”

While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.

Pub Date: July 5, 2012

ISBN: 978-0-399-15817-9

Page Count: 288

Publisher: Blue Rider Press

Review Posted Online: May 6, 2012

Kirkus Reviews Issue: May 15, 2012

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