by Vichet Chum ‧ RELEASE DATE: Oct. 3, 2023
An empowering coming-of-age story with genuine character growth.
Sixteen-year-old Soma Kear finds her voice after her father is deported back to Cambodia.
“She’s got those yellow-brown blues / Those Jungle Asian views / Of not feeling right / When you’re always in the fight.” Lowell, Massachusetts, junior Soma attracts attention online when she posts a video of her spoken-word poetry: her way of making sense of everything that’s changing in her life. Her mom is in Cambodia, trying to bring her dad back. Dahvy, Soma’s much older sister, moves back in and thinks she needs to be Ba and Ma combined. She’s gotten a job teaching at Soma’s high school and is engaged to Ruben Diaz, one of Soma’s former teachers. Will Ma return in time for the wedding? On the upside, Britney Roe, Soma’s crush, who is Black, wants to go on a date with her. Reckoning with family, love, and jealousy, Soma channels her anger into art by entering the annual Jack Kerouac Poetry Competition with best friend Sophat’s encouragement. Soma explores religion and spirituality, discusses Octavia Butler with Britney (“God is change”), and writes a poem exploring the question, “What’s God to you?” Yet, despite all her writing, she can’t seem to return any of Ba’s emails. Debut author Chum offers readers an education in Cambodian history, the Khmer people, and their Lowell community throughout this heartfelt family drama. His cultural respect and humor amplify the book’s strong sense of place.
An empowering coming-of-age story with genuine character growth. (Fiction. 13-18)Pub Date: Oct. 3, 2023
ISBN: 9780063223356
Page Count: 352
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: July 26, 2023
Kirkus Reviews Issue: Aug. 15, 2023
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by E. Lockhart ‧ RELEASE DATE: May 13, 2014
Riveting, brutal and beautifully told.
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A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.
Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.
Riveting, brutal and beautifully told. (Fiction. 14 & up)Pub Date: May 13, 2014
ISBN: 978-0-385-74126-2
Page Count: 240
Publisher: Delacorte
Review Posted Online: March 16, 2014
Kirkus Reviews Issue: April 1, 2014
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by Daniel Aleman ‧ RELEASE DATE: May 4, 2021
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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