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AVA

A well-crafted SF yarn that raises provocative questions.

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In Dillon’s future-set novel, a scientist’s reproductive experiment impacts two generations of a family.

Getting tear-gassed at a protest brings University of Tennessee students Larkin and Spencer together. Though pursuing different interests (Larkin’s passionate about science, Spencer plans to become an actuary), they fall in love and marry. Larkin decides to keep her baby when she accidentally gets pregnant, but learning the infant has anencephaly and will be born without a skull or brain changes her mind. However, in 2032, women are barred from receiving abortions in Tennessee and can’t legally obtain one in other states either. Larkin gives birth to a doomed baby, leading to emotional trauma and funeral debts. Inspired by his own mother’s untimely death shortly after his birth, Larkin’s employer, Dr. Davis, has searched for a way to simplify the birth process, wondering, “What if women could lay eggs like a chicken does?” After he adds a gene for avian reproductive organs to a human cell line, Larkin, his first test subject, agrees to reproduce again. The end product, Ava, seems like other kids, but, in her adolescence, complications loom. Learning of her genetic makeup, she feels freakish, and she discovers that too much sun exposure can trigger her own egg production. Does she have an advantage, or a disability? Dillon’s novel uniquely explores the idea of women’s bodily autonomy. Social commentary, genetics, and SF speculation come together in a narrative distinguished by the author’s humor. The offbeat and memorable characters are well developed; science-nerd Larkin is excited by supernumerary nipples (“Harry Styles has two extra ones!”) while Spencer names their chickens after 1970s songs. Even their baby, Maeve, who lives mere hours, makes a vivid impression. The future setting is heavily politicized: In 2041, a Tennessee senator works to get abortions nationally banned, and women can’t access birth control, progesterone, or estrogen, but Viagra is readily available. Though the novel has an optimistic tone, it also leaves a chill—the clampdown Dillon describes reads as disturbingly relevant.

A well-crafted SF yarn that raises provocative questions.

Pub Date: March 3, 2026

ISBN: 9798896360865

Page Count: 238

Publisher: She Writes Press

Review Posted Online: Nov. 5, 2025

Kirkus Reviews Issue: Jan. 1, 2026

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  • New York Times Bestseller

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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RED RISING

From the Red Rising Trilogy series , Vol. 1

A fine novel for those who like to immerse themselves in alternative worlds.

Set in the future and reminiscent of The Hunger Games and Game of Thrones, this novel dramatizes a story of vengeance, warfare and the quest for power.

In the beginning, Darrow, the narrator, works in the mines on Mars, a life of drudgery and subservience. He’s a member of the Reds, an “inferior” class, though he’s happily married to Eo, an incipient rebel who wants to overthrow the existing social order, especially the Golds, who treat the lower-ranking orders cruelly. When Eo leads him to a mildly rebellious act, she’s caught and executed, and Darrow decides to exact vengeance on the perpetrators of this outrage. He’s recruited by a rebel cell and “becomes” a Gold by having painful surgery—he has golden wings grafted on his back—and taking an exam to launch himself into the academy that educates the ruling elite. Although he successfully infiltrates the Golds, he finds the social order is a cruel and confusing mash-up of deception and intrigue. Eventually, he leads one of the “houses” in war games that are all too real and becomes a guerrilla warrior leading a ragtag band of rebelliously minded men and women. Although it takes a while, the reader eventually gets used to the specialized vocabulary of this world, where warriors shoot “pulseFists” and are protected by “recoilArmor.” As with many similar worlds, the warrior culture depicted here has a primitive, even classical, feel to it, especially since the warriors sport names such as Augustus, Cassius, Apollo and Mercury.

A fine novel for those who like to immerse themselves in alternative worlds.

Pub Date: Jan. 28, 2014

ISBN: 978-0-345-53978-6

Page Count: 400

Publisher: Del Rey/Ballantine

Review Posted Online: Nov. 2, 2013

Kirkus Reviews Issue: Nov. 15, 2013

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