It’s hard not to wonder whether the book started as Scorpio Races fanfiction, yet in the end Scott makes it into something...
A girl rides a mechanical racehorse to save her family.
Seventeen-year-old Astrid has long been fascinated with the Titans, automated steel horses that race on a clandestine track near her Detroit home. Now, as her father searches for work and eviction looms, she gets a chance to ride in the races—on a Titan 1.0, the original, never-raced version. Astrid's Titan, named Padlock, has an EvoBox that allows him to express emotions the way a real horse would. He even comes equipped with an autopilot mode that allows him to supersede her commands. Astrid, however, can't bring herself to relinquish control—too much depends upon her success. Why she believes herself a more competent racer than the equine computer is unclear—as are several points in this story, including why the updated Titans don't have EvoBoxes and what exactly the point of the EvoBox is. Readers who know horses will find the story’s details are off. However, Scott’s pacing and prose are first-rate, and if her characters are sometimes inconsistent, they express themselves forcefully and well. The story, told through Astrid's eyes, proceeds at breakneck pace to the final, sadly somewhat predictable, dramatic conclusion.
It’s hard not to wonder whether the book started as Scorpio Races fanfiction, yet in the end Scott makes it into something better—not brilliant, but better. (Science fiction. 12 & up)Pub Date: Feb. 23, 2016
ISBN: 978-0-545-80601-5
Page Count: 320
Publisher: Scholastic
Review Posted Online: Nov. 10, 2015
Kirkus Reviews Issue: Dec. 1, 2015
Raw, delicate, and deeply caring.
When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.
In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.
Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)Pub Date: May 6, 2025
ISBN: 9780063240858
Page Count: 720
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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