Far-fetched but satisfying.
This lighthearted tale of a child reared by sea lions is completely outlandish yet manages to capably address very real feelings about belonging and identity.
Leo, a young, white, blond boy, is pictured flying out of a boat during a storm even before the title page; he’s subsequently taken in by a family of sea lions. This looks like kid heaven—bodysurfing with sea lion pups, romping in a whale’s spout, and sleeping under the stars—but Leo feels and looks “different,” until he meets ”a creature who looked like him.” This creature, a young biracial, brown-skinned girl with hair in two ponytail puffs, really does look like him: They are both human. Once reunited with his human family, Leo is happy again, but as before, something is amiss. He still says “Ark! Ark!” and misses “his other family…and the sea.” Not explicitly about transracial adoption or blended families, this is about a child longing to belong, and the simultaneous feelings of happiness and alienation here ring true. Vogel’s stylized digital illustrations have an appealingly cartoonish look, with googly eyes on both humans and animals. Humorous scenarios (Leo sitting in a restaurant seafood tank; a sea lion in the bathtub with a gull on its head) visually portray the contrasts Leo feels. The happy ending, when Leo’s human family moves to the seaside so people and sea creatures can live together, is perhaps unrealistically optimistic, but this is a story of a child raised by sea lions, after all.
Far-fetched but satisfying. (Picture book. 3-6)Pub Date: July 1, 2018
ISBN: 978-1-5039-0260-2
Page Count: 32
Publisher: Two Lions
Review Posted Online: April 24, 2018
Kirkus Reviews Issue: May 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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