A much-honored author succeeds brilliantly at a new task—telling it like it is at an inner-city magnet school, where black Talley's best friend is white Didi Adair, in love with a drug addict. Told from Talley's point of view, in a style graced with the inflections of Black English, the story has high enough interest to carry readers through any difficulties posed by a structure that makes heavy use of flashback. Didi has fallen for Ready, literally, in the school corridor, so dramatically that both are suspended. Talley, in the habit of meeting Didi at Roady's place, is often embarrassed to find them in bed, Ready more, or usually less, coherent. Here Talley meets David, white and totally charming, who seduces her in a lengthy, beautifully written scene. The reader realizes before Talley does that David is a pusher, not all bad but not to be trusted; his interest is physical, but he is Talley's first love, and when he casually betrays her it is heartbreaking. She's lucky: Victor, a black school leader, is waiting in the wings; and neither she nor Didi has been tempted by drags—caring, they have been involved only through loving the victims. There are likely to be arguments about the larger meaning of what these characters mean to each other; meanwhile, they're vivid and plausible. The tenseness of their world, where danger is everywhere—in their neighborhoods, at school where the new mix of students threatens violence, in Roady's painfully loud music (a rock concert provides another unforgettably described scene)—is precisely evoked. Hamilton demonstrates that a popular YA novel can also be a serious literary work of beauty, complexity and depth.
Pub Date: Oct. 1, 1987
ISBN: 0590130056
Page Count: 191
Publisher: Philomel
Review Posted Online: Oct. 26, 2011
Kirkus Reviews Issue: Sept. 15, 1987
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
BOOK REVIEW
SEEN & HEARD
Exactly what the title promises.
A grieving teen’s devotion to romance films might ruin her chances at actual romance.
Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.
Exactly what the title promises. (Romance. 12-18)Pub Date: May 4, 2021
ISBN: 978-1-5344-6762-0
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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