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A WHITE ROMANCE

A much-honored author succeeds brilliantly at a new task—telling it like it is at an inner-city magnet school, where black Talley's best friend is white Didi Adair, in love with a drug addict. Told from Talley's point of view, in a style graced with the inflections of Black English, the story has high enough interest to carry readers through any difficulties posed by a structure that makes heavy use of flashback. Didi has fallen for Ready, literally, in the school corridor, so dramatically that both are suspended. Talley, in the habit of meeting Didi at Roady's place, is often embarrassed to find them in bed, Ready more, or usually less, coherent. Here Talley meets David, white and totally charming, who seduces her in a lengthy, beautifully written scene. The reader realizes before Talley does that David is a pusher, not all bad but not to be trusted; his interest is physical, but he is Talley's first love, and when he casually betrays her it is heartbreaking. She's lucky: Victor, a black school leader, is waiting in the wings; and neither she nor Didi has been tempted by drags—caring, they have been involved only through loving the victims. There are likely to be arguments about the larger meaning of what these characters mean to each other; meanwhile, they're vivid and plausible. The tenseness of their world, where danger is everywhere—in their neighborhoods, at school where the new mix of students threatens violence, in Roady's painfully loud music (a rock concert provides another unforgettably described scene)—is precisely evoked. Hamilton demonstrates that a popular YA novel can also be a serious literary work of beauty, complexity and depth.

Pub Date: Oct. 1, 1987

ISBN: 0590130056

Page Count: 191

Publisher: Philomel

Review Posted Online: Oct. 26, 2011

Kirkus Reviews Issue: Sept. 15, 1987

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BINDING 13

From the Boys of Tommen series , Vol. 1

A troubling depiction of an unhealthy relationship.

A battered girl and an injured rugby star spark up an ill-advised romance at an Irish secondary school.

Beautiful, waiflike, 15-year-old Shannon has lived her entire life in Ballylaggin. Alternately bullied at school and beaten by her ne’er-do-well father, she’s hopeful for a fresh start at Tommen, a private school. Seventeen-year-old Johnny, who has a hair-trigger temper and a severe groin injury, is used to Dublin’s elite-level rugby but, since his family’s move to County Cork, is now stuck captaining Tommen’s middling team. When Johnny angrily kicks a ball and knocks Shannon unconscious (“a soft female groan came from her lips”), a tentative relationship is born. As the two grow closer, Johnny’s past and Shannon’s present become serious obstacles to their budding love, threatening Shannon’s safety. Shannon’s portrayal feels infantilized (“I looked down at the tiny little female under my arm”), while Johnny comes across as borderline obsessive (“I knew I shouldn’t be touching her, but how the hell could I not?”). Uneven pacing and choppy sentences lead to a sudden climax and an unsatisfyingly abrupt ending. Repetitive descriptions, abundant and misogynistic dialogue (Johnny, to his best friend: “who’s the bitch with a vagina now?”), and graphic violence also weigh down this lengthy tome (considerably trimmed down from its original, self-published length). The cast of lively, well-developed supporting characters, especially Johnny’s best friend and Shannon’s protective older brother, is a bright spot. Major characters read white.

A troubling depiction of an unhealthy relationship. (author’s note, pronunciations, glossary, song moments, playlists) (Romance. 16-18)

Pub Date: Nov. 28, 2023

ISBN: 9781728299945

Page Count: 626

Publisher: Bloom Books

Review Posted Online: Oct. 21, 2023

Kirkus Reviews Issue: Nov. 15, 2023

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BETTER THAN THE MOVIES

From the Better Than the Movies series , Vol. 1

Exactly what the title promises.

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A grieving teen’s devotion to romance films might ruin her chances at actual romance.

Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.

Exactly what the title promises. (Romance. 12-18)

Pub Date: May 4, 2021

ISBN: 978-1-5344-6762-0

Page Count: 368

Publisher: Simon & Schuster

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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