Instead of one towering image like M. C. Higgins atop his gleaming pole, Arilla Sun Down is made up of a series of arresting scenes that are almost surreal in their visual intensity. And commanding them, as resplendent a show-off as ever M. C. dreamed of being, is twelve-year-old Arilla's big brother Jack Sun Run Adams, whom she sees as "up high," "golden," and a clear and ever-present threat to her place in the sun. There is the early childhood adventure, remembered with fragmented present-tense immediacy, when Sun appears at the top of a hill at midnight to lasso Arilla (Moon) and their Dad, who are about to go over a cliff on a sled. There is, later, the Fourth-of-July picnic when Sun on his rearing horse lassos three dudes who have spoken disrespectfully of his interracial—black and "Amerind"—family. There is the forbidden midnight skate at the roller rink, and the frantic scramble by Arilla, Sun and Sun's girlfriend to escape discovery. And then there is that bizarre accident when a sudden ice storm sends migrating ducks falling from the sky, one onto Sun's head. His slipping horse falls on top of him, and Arilla proves her mettle on the difficult ride for help. Arilla, fighting for her own position in a family that seems to belong nowhere, is both saddened and released by her brother's fall; she learns that their parents see him as a posturing dreamer with identity problems of his own. There are reinforcing threads—Arilla's early rapport with an old Indian; her father's periodic need to return to his native village and his identity as Great Wolf. The resulting mesh gives the common theme of adolescent self-discovery a dazzling, uncommon impact.
Pub Date: Sept. 13, 1976
ISBN: 0590053809
Page Count: 304
Publisher: Greenwillow Books
Review Posted Online: Oct. 26, 2011
Kirkus Reviews Issue: Sept. 1, 1976
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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