At 12, Bulaire has reason to ponder her identity; a bright, prickly loner, she wonders if her looks—changeable blue-green eyes, "golden Rasta twists," pale skin that summer tans "to near-chocolate lightly washed in burnt orange"—are why she's at odds with her darker friends and relatives. Now, in winter, she's angry—with Grady, who teases in class but seems friendly when he follows her on long walks; and—after she hears that her father isn't dead, as she's been told, but in town—with her mother Bluezy, often away singing gigs, and with the aunts and uncle who care for her. On a bitter cold day, Bulaire, dazzled by snow, is rescued by her dad and taken to his cave under the Interstate, Grady following. Though "Junior" is evidently unbalanced, he does seem to care about her; and though he begs for a "stake," he also returns some of her "back time"—family photos and mementoes that had mysteriously vanished. Bulaire almost decides to go with him, as he unrealistically suggests, and does give him money, as (they now tell her) his half-sisters and ex-wife have often done. In some ways, Plain City is the obverse of Cousins: this father, homeless and a con man, is probably unreclaimable, though he, too, helps his daughter at a critical moment. The other adults are believably flawed, but bracingly strong and reliable. In the end (as a January thaw—"not heat, just not freezing"—melts the ice), the truth sets Bulaire free to see her elders as they are and begin to make peace—with them and with herself and her mixed heritage. Subtle, wise, complex— superb. (Fiction. 9-13)
Pub Date: Oct. 1, 1993
ISBN: 0-590-47364-6
Page Count: 196
Publisher: Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1993
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
It starts off innocently enough, with principal Walter Russ asking artist Florence Waters to sell him a drinking fountain for the Dry Creek Middle School. But art and bureaucracy are about as different as, well, flood and drought, and this book pits such opposites with hilarious results. Town villains Dee Eel (president of Dry Creek Water Company) and Sally Mander (chief executive of the Dry Creek Swimming Pool) absconded with the town's water supply, turning what used to be Spring Creek into Dry Creek. This all gets uncovered by ``Sam N.'s fifth-grade class,'' who is doing a project on the history of the town. What makes this tale an unequivocal delight is that it's told through letter, memos, newspaper clippings, school announcements, and inventive black-and-white drawings; even less-skilled readers will be drawn in by the element of perusing ``other people's mail'' to find out why Spring Creek went dry, and to decode the water-related names of the characters. Florence and her intriguing attitude and art win over the class, Sam, and even the stuffy principal—how she does it is part of a tale overflowing with imagination and fun. (Fiction. 9-13)
Pub Date: April 1, 1998
ISBN: 0-380-97538-6
Page Count: 138
Publisher: Avon/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1997
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.
In Florence’s middle-grade fantasy novel, a young girl’s heart is tested in the face of an evil, spreading Darkness.
Eleven-year-old Lydia, “freckle-cheeked and round-eyed, with hair the color of pine bark and fair skin,” is struggling with the knowledge that she has reached the age to apprentice as an herbalist. Lydia is reluctant to leave her beloved, magical Mulberry Glen and her cozy Housetree in the woods—she’ll miss Garder, the Glen’s respected philosopher; her fairy guardian Pit; her human friend Livy; and even the mischievous part-elf, part-imp, part-human twins Zale and Zamilla. But the twins go missing after hearing of a soul-sapping Darkness that has swallowed a forest and is creeping into minds and engulfing entire towns. They have secretly left to find a rare fruit that, it is said, will stop the Darkness if thrown into the heart of the mountain that rises out of the lethal forest. Lydia follows, determined to find the twins before they, too, fall victim to the Darkness. During her journey, accompanied by new friends, she gradually realizes that she herself has a dangerous role to play in the quest to stop the Darkness. In this well-crafted fantasy, Florence skillfully equates the physical manifestation of Darkness with the feelings of insecurity and powerlessness that Lydia first struggles with when thinking of leaving the Glen. Such negative thoughts grow more intrusive the closer she and her friends come to the Darkness—and to Lydia’s ultimate, powerfully rendered test of character, which leads to a satisfyingly realistic, not quite happily-ever-after ending. Highlights include a delightfully haunting, reality-shifting library and a deft sprinkling of Latin throughout the text; Pit’s pet name for Lydia is mea flosculus (“my little flower”). Fine-lined ink drawings introducing each chapter add a pleasing visual element to this well-grounded fairy tale.
An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.Pub Date: Jan. 7, 2025
ISBN: 9781956393095
Page Count: 288
Publisher: Waxwing Books
Review Posted Online: Oct. 14, 2024
Kirkus Reviews Issue: Jan. 1, 2025
Review Program: Kirkus Indie
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