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ECHOES FROM THE HOCKER HOUSE

Entrancing, edgy, and melodramatic tales with a palpable bite.

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This short-story collection offers an often disconcerting glimpse of America.

In “The Bitterest Winter,” Laurel reluctantly moves to Chicago, her lawyer husband’s choice for their growing family. She struggles to fit into this life that he’s created, even practicing her facial expressions in a bathroom mirror. Watts’ 15 tales sear with family drama, which tends to linger uncomfortably in dark territory. In “Dollhouse,” for example, young Deirdre only sees parts of her sickly, bed-ridden great uncle, like his feet (“two tiny tombstones”) and his glass eye in a jar. “The Hocker House” finds 13-year-old Jeff Moomah trying to convince friends in his tight-knit neighborhood that he’s spotted “weird” Mr. Hocker transporting a body in a wheelbarrow. Most of these U.S.–set tales, unfolding during various decades—from the 1960s and ’70s to the present—deliver countless nods to things distinctly American, like Disney films, Starbucks, and classic TV shows. This nostalgic touch will draw in readers, along with believable characters (for instance, a girl being irked by her incessantly abrasive grandfather, and a 40-something woman mourning the loss of her beloved twin brother years after his death). Some family members and friends are at odds, but there’s also a strong sense of unity among much of the casts. While not every story takes a drastically somber turn, they certainly don’t bask in happier moments. The book’s most chilling tale is the itch-inducing “Starscraper,” which zeroes in on Eva, who “draws” a building for the creatures she believes live under her skin—using a stolen steak knife on her thigh. Watts writes with a profound, confident voice, calling one character’s eyes the “blue color of a gas stove flame,” and observing that a Florida church’s life-sized, plastic Mary and Joseph are on their backs for “a little breather” before going on display.

Entrancing, edgy, and melodramatic tales with a palpable bite.

Pub Date: Nov. 17, 2023

ISBN: N/A

Page Count: 237

Publisher: Devil's Party Press

Review Posted Online: Aug. 14, 2023

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MONA'S EYES

A pleasant if not entirely convincing tribute to the power of art.

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A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.

One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.

A pleasant if not entirely convincing tribute to the power of art.

Pub Date: Aug. 26, 2025

ISBN: 9798889661115

Page Count: 432

Publisher: Europa Editions

Review Posted Online: June 7, 2025

Kirkus Reviews Issue: July 15, 2025

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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