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THE GIRL WHO SOLD TIME

Middle-grade readers who love thought-provoking SF will find this page-turner of a novel all but unputdownable.

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In Nelson’s middle-grade SF novel, a young girl in the 25th century undertakes a quest to save humanity from extinction on an all-but-uninhabitable Earth.

Twelve-year-old Violet’s past is murky. She seems to have trouble remembering specifics of her early childhood, but she does know that her scientist father is somewhere high above the earth in the Needle, a massive space elevator inhabited by the world’s smartest minds, all working to save the planet’s mutated and dying ecosystems before what’s left of humankind perishes. Accompanied by a robotic boy named Jackdaw, Violet finds and sells precious “time marbles” in the wasteland surrounding the base of the Needle. The marbles contain varying increments of time—a few seconds, minutes, or hours—that, when placed in a person’s mouth, allows them to essentially stop time temporarily. But when she stumbles across a marble that could potentially stop time for a year or more, she becomes a target for more than a few morally bankrupt individuals who want the marble for nefarious purposes. As she and Jackdaw struggle to survive, the world continues its descent toward a planetwide apocalypse. An obvious selling point here is the courageous and relatable main character, who is dealing with issues that will undoubtedly resonate with the target audience, such as the meaning of family, the power of friendship, and finding one’s place—or purpose—in the world. But Nelson’s impressively deep worldbuilding and backstory, which give the narrative an undeniable timeliness and thematic gravity, is arguably even more of a hook. The author also excels at exploring complex scientific theories and making them palatable for young readers. Here, the author contemplates time: “The river is time and the boats are people…Everyone is born to die, which is why the boats have holes. Some holes will be large and the boat won’t get very far down the river before sinking. Others will have small holes and will travel the river for longer.” Also of note are the spectacular cover art, interior illustrations, and overall design concept; it’s obvious that this novel was meticulously and lovingly produced.

Middle-grade readers who love thought-provoking SF will find this page-turner of a novel all but unputdownable.

Pub Date: N/A

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Page Count: -

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Review Posted Online: March 20, 2025

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THE SCHOOL FOR GOOD AND EVIL

From the School for Good and Evil series , Vol. 1

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.

Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.

Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and  her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)

Pub Date: May 14, 2013

ISBN: 978-0-06-210489-2

Page Count: 496

Publisher: Harper/HarperCollins

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: April 15, 2013

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BEYOND MULBERRY GLEN

An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.

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In Florence’s middle-grade fantasy novel, a young girl’s heart is tested in the face of an evil, spreading Darkness.

Eleven-year-old Lydia, “freckle-cheeked and round-eyed, with hair the color of pine bark and fair skin,” is struggling with the knowledge that she has reached the age to apprentice as an herbalist. Lydia is reluctant to leave her beloved, magical Mulberry Glen and her cozy Housetree in the woods—she’ll miss Garder, the Glen’s respected philosopher; her fairy guardian Pit; her human friend Livy; and even the mischievous part-elf, part-imp, part-human twins Zale and Zamilla. But the twins go missing after hearing of a soul-sapping Darkness that has swallowed a forest and is creeping into minds and engulfing entire towns. They have secretly left to find a rare fruit that, it is said, will stop the Darkness if thrown into the heart of the mountain that rises out of the lethal forest. Lydia follows, determined to find the twins before they, too, fall victim to the Darkness. During her journey, accompanied by new friends, she gradually realizes that she herself has a dangerous role to play in the quest to stop the Darkness. In this well-crafted fantasy, Florence skillfully equates the physical manifestation of Darkness with the feelings of insecurity and powerlessness that Lydia first struggles with when thinking of leaving the Glen. Such negative thoughts grow more intrusive the closer she and her friends come to the Darkness—and to Lydia’s ultimate, powerfully rendered test of character, which leads to a satisfyingly realistic, not quite happily-ever-after ending. Highlights include a delightfully haunting, reality-shifting library and a deft sprinkling of Latin throughout the text; Pit’s pet name for Lydia is mea flosculus (“my little flower”). Fine-lined ink drawings introducing each chapter add a pleasing visual element to this well-grounded fairy tale.

An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.

Pub Date: Jan. 7, 2025

ISBN: 9781956393095

Page Count: 288

Publisher: Waxwing Books

Review Posted Online: Oct. 14, 2024

Kirkus Reviews Issue: Jan. 1, 2025

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