A vividly imagined sci-fi epic.
Young warriors fight a repressive government in this dystopian vision of America.
Boutwell’s (Outland Exile, 2015) sequel, which begins immediately after the events of his debut, plunges readers back into the high-stakes fight between the Democratic Unity of America and the Restructured States of America, two nations that emerged following the collapse of the U.S. in 2051. Seventy-five years after the great war, tension between the two countries is increasing. Seventeen-year-old Unity soldier Malila Chiu has faked her death and is on the run from her commander, Eustace Jourdaine, who’s engineering a coup that will put him in charge of the nation. At the same time, the Restructured States have sent Will Butler to spy on the Unity and gather secrets from The CORE, its vast computer network. Malila’s childhood friend Hecate Hester Jones is also fleeing the Unity, hoping to make it across the Scorch, a lawless borderland filled with sentient plants. Meanwhile, wizened warrior Jesse Johnstone is on his own mission for the Restructured States even as he fends off assassination attempts. If all this sounds a little confusing, it is, at least at first. Readers would be wise to start with the series’ first installment, which introduces several key characters and their back stories. Perspectives and settings shift from chapter to chapter, similar to George R.R. Martin’s A Song of Ice and Fire series, and, as in those books, it takes a while to see how everything fits together. But Boutwell is a masterful worldbuilder, packing his gripping tale full of rich, creative details that should thrill genre fans, from the shadowy, anonymous Solons, who rule the Unity, to a race of subterranean tunnel dwellers whose society is structured like a union with rituals involving the recitation of poetry (the novel is dense with literary references). The sci-fi trappings should draw readers in, but Boutwell’s sharp writing will keep them turning the page. When he describes a voice as “old and cracking as if taken out of a box just for this occasion,” he proves he can make even quieter moments come alive.
A vividly imagined sci-fi epic.Pub Date: Feb. 6, 2018
ISBN: 978-1-948080-00-2
Page Count: 366
Publisher: Indigo River Publishing
Review Posted Online: Sept. 19, 2017
Kirkus Reviews Issue: Oct. 15, 2017
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...
Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.
The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.Pub Date: Jan. 6, 2015
ISBN: 978-0-345-53981-6
Page Count: 448
Publisher: Del Rey/Ballantine
Review Posted Online: Oct. 22, 2014
Kirkus Reviews Issue: Nov. 1, 2014
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