A powerful portal story with a stirring protagonist; it’s everything a good sci-fi tale should be and more.
Causey delivers a mix of business, government, religion, and fantastic technology in this debut sci-fi novel.
Time is not running out; it’s running backward. Using the discoveries of the genius Dr. Lacy Sylvan and the work of his paternal grandfather, William, Carlton Ferguson has opened portals into the past—generating massive profits for the family company. Any time and place in the last 48 hours can be reviewed through these Reflection Windows, and while the public doesn’t know it, Carlton hasn’t stopped there, extending his reach by years toward his dream of viewing right up to the beginning of time. Not only that, but he’s kept the secrets of the technology between himself and Sylvan, and even she doesn’t know the full extent of his capabilities. The Reflection Windows have rendered nearly all crime a thing of the past, so it’s tough to imagine anyone going after Carlton. But when Sylvan’s home is bombed, it’s just the beginning of a cascading series of events that could put everything he’s accomplished in jeopardy. Both the religious contingent and the government want control of the technology, either to discover secrets or out of the belief that some things are better left unseen. And when Carlton finally begins to make decisions about monumental issues—whom to trust, how to live, what is right or wrong—the world may be forever changed. This story grapples with ideas that are precise and contemporary, like the question of security versus privacy, and others that are timeless, like whether it is greater for the mind of man to know or simply to wonder. And the glue binding these concepts together is made of precise, well-crafted prose and intricate details, not to mention a fascinating main character. Indeed, the digressions into the precise ways Carlton gets things done and the mechanics of the Reflection system might become dull were it not for the passion the protagonist shows for his life’s mission as well as the complexities of his psyche, from his family history to the loneliness he inflicts on himself. He plays God but nonetheless remains distinctly human. This is a remarkable novel and hopefully a herald of great things to come.
A powerful portal story with a stirring protagonist; it’s everything a good sci-fi tale should be and more.Pub Date: Oct. 9, 2015
ISBN: 978-1-5144-0038-8
Page Count: 342
Publisher: Xlibris
Review Posted Online: July 13, 2016
Kirkus Reviews Issue: Aug. 15, 2016
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Suspenseful, full of incident, and not obviously necessary.
Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
