As both Branscum and Rabe come out with grit-and-hardship dramas of 1930s orphans, Myers gives us a contemporary Harlem kid whose problems seem more real and more serious even though he has a father and, thanks to welfare, knows he will eat. When motherless Tippy's grandmother ends up in the hospital, Tippy, twelve, is sent on to Lonny, who happens to be his father but is neither inclined toward nor equipped for the role. Lonny hangs around with his buddies, drinks, smokes weed, and alternately beats on Tippy, tries ineptly to be companionable, or presses money on him. Worse, Lonny and his friends engage in robberies and force Tippy to participate. Torn and miserable about going along with them, Tippy too starts to drink. How can he break away when he has nowhere to go? (Though this isn't a humorous story like Myers' Fast Sam, Cool Clyde and Stuff and Mojo and the Russians, there's a funny scene in the bus station where "a white guy in a yellow robe" and a black guy in a white robe get to pounding on each other over whether Tippy needs Krishna or Allah.) But at last, with one of the gang critically shot and untended after their big stick-up, Tippy does go to a sympathetic neighbor who notifies the police and later takes him in. Kindly Mr. Roland's convenient presence in the wings constitutes perhaps an easy out for Tippy and for Myers, but it doesn't undermine Myers' demonstration that however the cards are stacked, the choice is there to be made. And instead of the broad-stroke characterization of the orphan books, Myers gives us people—you'll even come to feel for the hopelessly no-good Lonny before he ends up in jail. Sound base, authentic surface—like Tippy, a winner.
Pub Date: Sept. 25, 1978
ISBN: 0064473112
Page Count: 242
Publisher: Viking
Review Posted Online: Oct. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1978
A light and entertaining plot-driven romance.
A Connecticut girl and her best friend devise a series of plans in order to achieve their goals: following a dream and winning back an ex.
Eighteen-year-old Audrey Barbour has a Master Plan: attend Blue Ridge Glass School in North Carolina and someday turn her Etsy shop, Golightly Glass, into a thriving business. But her uber-wealthy parents insist that she instead follow in their footsteps and go to business school. So Audrey decides to go find the tuition money she needs with help from her best friend, Henry Chen. Henry needs a favor, too: He hopes that fake dating Audrey will help him win back his ex-girlfriend, and he points out to a reluctant Audrey that this could make her crush, Griffin, notice her. While Audrey’s parents vacation in France for three weeks, the pair rent out the Barbour mansion on the Long Island Sound. Soon romantic chemistry grows alongside their business partnership. Despite the pair’s great preparation and an abundance of secondary characters with connections and talents to help pull off their increasingly ambitious ideas, plans go awry, leaving Audrey and Henry scrambling and second-guessing their choices. The pacing is even, but the characters often take a back seat to the whirlwind of activity that drives the plot, with the emphasis falling on each person’s practical skills and their role in keeping the action moving over their emotional bonds. Audrey is white, and Henry’s surname cues him as Chinese American.
A light and entertaining plot-driven romance. (Romance. 14-18)Pub Date: March 31, 2026
ISBN: 9780593904794
Page Count: 384
Publisher: Delacorte Romance
Review Posted Online: Dec. 12, 2025
Kirkus Reviews Issue: Jan. 15, 2026
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
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