Rudimentary skulduggery on an Egyptian archaeological dig—for kids who take to Myers' no-frills storytelling, simple set-ups, and good sense. Teens John Robie and Karen Lacey find themselves at a seedy Aswan hotel—with only a mysterious note to explain the absence of Dr. Erich Leonhardt, John's unknown archaeologist great-uncle. Egyptian-enthusiast John, less put-out than archaeology-buff Karen, is more inclined to stick around; he also gives a thought to the family connection. But signs that "someone doesn't want us hanging around" keep stubborn smartie Karen on the spot too. The enusing one-upmanship between the two, conveyed with a shade of self-mocking rue from John's viewpoint, is the story's strongest feature—though Myers does craftily manage a tie-in with the Tutankhamun show (supposed source of John's interest) and with some basic Egyptology: the unknown site of monotheist Akhenaton's modest burial. John guesses that the nonexistent ship Sibuna, mentioned in Dr. Leonhardt's letter, stands for Anubis, the Egyptian god of the underworld—meaning that somebody was after, him. Karen reasons from his note-paper (never mind, flimsily, how) that the professor is still around; she remembers that "an Ahmed somebody" was said to have been helping him; she deduces from a letter that the professor had been set back by not receiving a grant from the University of Chicago—hence his need for the two of them. But—John and Karen, together: Didn't the professor's search sound like Tutankhamun-tomb-finder Howard Carter's reference to "the last great mystery of the period"—i.e., the site of Akhenaton's burial? Didn't Akhenaton have Nubian connections, from around Aswan? Isn't the elusive Ahmed supposed to be a Nubian? Dr. Leonhardt is found, the tomb properly isn't—and had it been, the professor notes, it would have held no treasure: the greedy kidnappers had nothing to gain. As for John and Karen, a little real archaeological work is in the offing. "I'd really dig that," says John—(almost) bringing down the curtain on a consciously, likably corny note. Unlike more strenuous efforts, the one grows on you by degrees.
Pub Date: Oct. 12, 1983
ISBN: 0153003758
Page Count: 89
Publisher: Morrow/HarperCollins
Review Posted Online: Oct. 19, 2011
Kirkus Reviews Issue: Oct. 1, 1983
An emotional, much-needed historical graphic novel.
Sandy and his family, Japanese Canadians, experience hatred and incarceration during World War II.
Sandy Saito loves baseball, and the Vancouver Asahi ballplayers are his heroes. But when they lose in the 1941 semifinals, Sandy’s dad calls it a bad omen. Sure enough, in December 1941, Japan bombs Pearl Harbor in the U.S. The Canadian government begins to ban Japanese people from certain areas, moving them to “dormitories” and setting a curfew. Sandy wants to spend time with his father, but as a doctor, his dad is busy, often sneaking out past curfew to work. One night Papa is taken to “where he [is] needed most,” and the family is forced into an internment camp. Life at the camp isn’t easy, and even with some of the Asahi players playing ball there, it just isn’t the same. Trying to understand and find joy again, Sandy struggles with his new reality and relationship with his father. Based on the true experiences of Japanese Canadians and the Vancouver Asahi team, this graphic novel is a glimpse of how their lives were affected by WWII. The end is a bit abrupt, but it’s still an inspiring and sweet look at how baseball helped them through hardship. The illustrations are all in a sepia tone, giving it an antique look and conveying the emotions and struggles. None of the illustrations of their experiences are overly graphic, making it a good introduction to this upsetting topic for middle-grade readers.
An emotional, much-needed historical graphic novel. (afterword, further resources) (Graphic historical fiction. 9-12)Pub Date: Oct. 5, 2021
ISBN: 978-1-5253-0334-0
Page Count: 112
Publisher: Kids Can
Review Posted Online: June 28, 2021
Kirkus Reviews Issue: July 15, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A deftly told story that dramatizes how Danes appointed themselves bodyguards—not only for their king, who was in the habit...
The author of the Anastasia books as well as more serious fiction (Rabble Starkey, 1987) offers her first historical fiction—a story about the escape of the Jews from Denmark in 1943.
Five years younger than Lisa in Carol Matas' Lisa's War (1989), Annemarie Johansen has, at 10, known three years of Nazi occupation. Though ever cautious and fearful of the ubiquitous soldiers, she is largely unaware of the extent of the danger around her; the Resistance kept even its participants safer by telling them as little as possible, and Annemarie has never been told that her older sister Lise died in its service. When the Germans plan to round up the Jews, the Johansens take in Annemarie's friend, Ellen Rosen, and pretend she is their daughter; later, they travel to Uncle Hendrik's house on the coast, where the Rosens and other Jews are transported by fishing boat to Sweden. Apart from Lise's offstage death, there is little violence here; like Annemarie, the reader is protected from the full implications of events—but will be caught up in the suspense and menace of several encounters with soldiers and in Annemarie's courageous run as courier on the night of the escape. The book concludes with the Jews' return, after the war, to homes well kept for them by their neighbors.
A deftly told story that dramatizes how Danes appointed themselves bodyguards—not only for their king, who was in the habit of riding alone in Copenhagen, but for their Jews. (Historical fiction. 9-12)Pub Date: April 1, 1989
ISBN: 0547577095
Page Count: 156
Publisher: Houghton Mifflin
Review Posted Online: Oct. 17, 2011
Kirkus Reviews Issue: March 15, 1989
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