Biddy Owens, 17, “equipment manager, scorekeeper, errand boy, and sometimes right fielder” for the Birmingham Black Barons, narrates in diary form the twilight time of the Negro Leagues. This solid entry in the “My Name Is America” series must cover a lot of ground—Jim Crow laws, the beginnings of civil-rights unrest, the integration of the major leagues, adolescent yearnings (soft-pedaled), and baseball, baseball, baseball—but Myers (Bad Boy, above, etc.) handles it all with relative ease. There is rather more exposition of life in the South than would likely have appeared in a contemporary journal, but this is not too intrusive and is quickly overshadowed by Biddy’s agreeable voice as he weighs a baseball career (unlikely, given his admittedly limited ability) against going to college. Biddy’s family comes to life as honestly as the historical figures he works with on a day-to-day basis. Baseball legends Satchel Paige, Willie Mays, and Hank Aaron all make cameo appearances, but the characters who dominate are those whose careers largely ended with the Negro Leagues: the 1948 Black Barons, led by second baseman and manager Piper Davis, whose fierce determination to win carries the team—and the reader—through a grueling pennant race to what was to become the last Negro League World Series. The tale is suffused with pride and affection for these first-class ballplayers who labored as second-class citizens, and with a real wistfulness at the passing of an era. Rich historical context, fully realized characters, great baseball action, and trademark Myers humor combine to make this one a homerun. (Fiction. 9-14)
Pub Date: April 1, 2001
ISBN: 0-439-09503-4
Page Count: 144
Publisher: Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2001
Everyone should read this remarkable, affecting novel.
A 10-year-old transgender boy sends letters via balloon, hoping someone out there will read them.
It’s 1997, and Rowan is starting fifth grade. He knows he’s a boy, but no one else understands. He called a girl “cute” during truth or dare, and now he’s a social pariah. His dad comes into his room at night, but he’s not ready to talk about that yet. He’s sorry for being weird. Bean vividly and sensitively captures the struggle of being a child who just can’t fit in and doesn’t understand why. It is an authentic portrayal of childhood pain without an ounce of condescension. Over the course of the school year, Rowan, who is presumed to be White, and his new best friend Sofie, who appears to be Black, struggle to make sense of what is right and wrong, good and bad in their working-class Michigan world. While the book tackles big issues, primarily addressing being trans and queer and surviving incest as well as touching on parental incarceration, anyone who has ever been a sad or confused child will be able to see a little bit of themselves in Rowan and Sofie. And if the author leans a bit heavily on the unnecessary crutch of ’90s references, at least it increases the book’s appeal for both young retro-enthusiasts and nostalgic adults—and this is one of those rare middle-grade books with real adult appeal.
Everyone should read this remarkable, affecting novel. (author's note, resources, acknowledgements) (Historical fiction. 10-14, adult)Pub Date: May 26, 2020
ISBN: 978-0-525-55483-7
Page Count: 288
Publisher: Dial Books
Review Posted Online: March 28, 2020
Kirkus Reviews Issue: April 15, 2020
PERSPECTIVES
PERSPECTIVES
An epic muddle, all in all.
In typically buoyant cartoons, Williams presents a précis of Hugo’s epic.
It’s hard to imagine an illustrator less suited to this exhausting story and vice versa. In sequential panels large and small, Valjean and the other characters appear in picturesquely patched and rumpled costume. The background slums, sewers and, in later scenes, barricades are atmospherically stained and littered with detritus, but even during the most desperate and tragic events there are smiles and stage antics on view. Small birds, busy rats and cats, sprigs of garland and like decorative motifs add entertaining distractions within the pictures and along the borders of every page. Furthermore, even if portions of the dialogue enclosed in the speech balloons are credibly translated from the original, some of them have a jarringly jocular ring: “Since I am not arrested and I have things to do, I’m going”; “The old geezer and his daughter are on their way.” In contrast to the lively, fluidly drawn watercolors, the lines or blocks of narrative running beneath every picture offer a dry, past-tense plot summary that may possibly be helpful to assignment-driven slackers but go on long enough to try the interest of younger readers.
An epic muddle, all in all. (Graphic fiction. 10-13)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-7476-2
Page Count: 64
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK REVIEW
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