Stunning.
The Myers team shares their heartfelt and stirring vision of an America flawed but filled with promises and dreams.
Like weavers connecting warp and woof, father threads lofty words and son paints seamless pictures. Each double-page spread contains a brief poem and usually a quote from a relevant document or person. A mural rendered in pastels spans both pages. Homage is paid to young people; Native Americans; immigrants from Europe, Africa and Asia; laborers, protesters, soldiers and performers. "We were willing to die to forge our dream" writes Walter Dean Myers while Chris Myers paints snarling dogs attacking civil rights protesters and colonial patriots throwing tea into Boston Harbor. Juxtaposed with this are the opening line to the Constitution and King George's words granting independence. In another tableau, a slave shows his terribly scarred back, Indians lie dead at Wounded Knee and Japanese-American citizens stand behind barbed wire, but Americans learned to "light the darkness with the blazing torch that is the Constitution." Backmatter credits each quotation and identifies the people in each painting. The poetry and the paintings will be an excellent jumping-off point for discussions. Readers will take every opportunity to pause and reflect and trace their fingers along the glorious artwork.
Stunning. (Picture book/poetry. 8 & up)Pub Date: May 3, 2011
ISBN: 978-0-06-052310-7
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: July 7, 2017
Kirkus Reviews Issue: April 1, 2011
A refreshed version of a classic that doesn’t hold up to more recent works.
A new edition of late author Zinn’s 2007 work, which was adapted for young readers by Stefoff and based on Zinn’s groundbreaking 1980 original for adults.
This updated version, also adapted by Stefoff, a writer for children and teens, contains new material by journalist Morales. The work opens with the arrival of Christopher Columbus and concludes with a chapter by Morales on social and political issues from 2006 through the election of President Joe Biden seen through the lens of Latinx identity. Zinn’s work famously takes a radically different perspective from that of most mainstream history books, viewing conflicts as driven by rich people taking advantage of poorer ones. Zinn professed his own point of view as being “critical of war, racism, and economic injustice,” an approach that felt fresh among popular works of the time. Unfortunately, despite upgrades that include Morales’ perspective, “a couple of insights into Native American history,” and “a look at the Asian American activism that flourished alongside other social movements in the 1960s and 1970s,” the book feels dated. It entirely lacks footnotes, endnotes, or references, so readers cannot verify facts or further investigate material, and the black-and-white images lack credits. Although the work seeks to be inclusive, readers may wonder about the omission of many subjects relating to race, gender, and sexuality, such as the Chinese Exclusion Act, Indian boarding schools, the Tulsa Race Massacre, Loving v. Virginia, the Stonewall Uprising, Roe v. Wade, Title IX, the AIDS crisis, and the struggle for marriage equality.
A refreshed version of a classic that doesn’t hold up to more recent works. (glossary, index) (Nonfiction. 10-16)Pub Date: Jan. 3, 2023
ISBN: 9781644212516
Page Count: 544
Publisher: Triangle Square Books for Young Readers
Review Posted Online: Jan. 9, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Preaching to the choir, perhaps, but an invigorating sermon all the same.
Zinn-ian conspiracy theories, propounded engagingly and energetically by filmmaker and gadfly Stone and Cold War scholar Kuznick (History/American Univ.).
If you’ve read Howard Zinn—or if, like Jeff Lebowski, the Port Huron Statement is still current news for you—then you’ll have at least some of the outlines of this overstuffed argument. Premise 1: Though the United States may pretend to be a nice, cuddly sort of democracy, it’s the font of much trouble in the world. Premise 2: When, post-9/11, neocons began pondering why it wouldn’t be such a bad idea for the U.S. to become an imperial power, they were missing a train (or Great White Fleet) that had pulled out of the station long ago. Premise 3: We like European fascists better than Asian fascists, as evidenced by propaganda posters depicting our erstwhile Japanese foes as rats and vermin. Premise 4: War is a racket that benefits only the ruling class. Premise 5: JFK knew more than he had a chance to make public, and he was gunned down for his troubles. And so forth. Layered in with these richly provocative (and eminently arguable) theses are historical aperçus and data that don’t figure in most standard texts—e.g., the showdown between Bernard Baruch and Harry Truman (“in a colossal failure of presidential leadership”) that could only lead to a protracted struggle between the U.S. and the Soviet Union for post–World War II dominance. Some familiar villains figure in as well, notably the eminently hissable Henry Kissinger and his pal Augusto Pinochet; the luster of others whom we might want to think of as good guys dims (George H.W. Bush in regard to Gorbachev), while other bad guys (George W. Bush in regard to Saddam Hussein) get worse.
Preaching to the choir, perhaps, but an invigorating sermon all the same.Pub Date: Oct. 30, 2012
ISBN: 978-1-4516-1351-3
Page Count: 784
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Oct. 23, 2012
Kirkus Reviews Issue: Nov. 15, 2012
BOOK REVIEW
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