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WON'T KNOW TILL I GET THERE

Like The Young Landlords who found themselves responsible to the diverse elderly tenants of a rundown tenement, Myers' latest group of wholesome early teenagers spends a summer helping out at a neighborhood old-people's home. This time, the service is a sentence imposed by a juvenile court judge after narrator Steve (the book is his journal) is caught spray-painting a fictitious gang name on a subway car. (The other three sentenced with him were on hand, and eager abettors.) Steve has perpetrated this uncharacteristic, spur-of-the-moment "vandalism" to impress his new trial brother, Earl, a 13-year-old offender (armed robbery at eleven, for starters) whom Steve's parents have virtuously decided to adopt. And so the story chronicles both Steve and Earl's bumpy progress toward becoming brothers—while Steve's parents learn that noble gestures are not that easily rewarded—and the four kids' growing rapport with, and respect for, the old people, who are hostile at first and prickly about being thought helpless. They also insist on being called "seniors": "If I called you 'colored' instead of 'black' does that make a difference to you? You claim the right to define yourself in your own terms. Well we claim the same right." At the home, there are several such mini-lectures from the seniors; a couple of astutely staged and motivated fights among the kids; and a great united effort to earn money to keep the home in operation. (It fails, alas, because—a typical Myers message—the city welfare bureaucracy punishes initiative.) And meanwhile, back at their own home, there's a funny scene when Steve and Earl try to cook an octopus; some offstage soul-searching by the parents, who aren't sure about keeping Earl; and a sentimental heart-tugger at the end when Earl officially joins the family. Another of Myers' winning, medium-cool raps in the service of good old-fashioned values.

Pub Date: May 3, 1982

ISBN: 014032612X

Page Count: 176

Publisher: Viking

Review Posted Online: Oct. 19, 2011

Kirkus Reviews Issue: May 1, 1982

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WE'RE A BAD IDEA, RIGHT?

A light and entertaining plot-driven romance.

A Connecticut girl and her best friend devise a series of plans in order to achieve their goals: following a dream and winning back an ex.

Eighteen-year-old Audrey Barbour has a Master Plan: attend Blue Ridge Glass School in North Carolina and someday turn her Etsy shop, Golightly Glass, into a thriving business. But her uber-wealthy parents insist that she instead follow in their footsteps and go to business school. So Audrey decides to go find the tuition money she needs with help from her best friend, Henry Chen. Henry needs a favor, too: He hopes that fake dating Audrey will help him win back his ex-girlfriend, and he points out to a reluctant Audrey that this could make her crush, Griffin, notice her. While Audrey’s parents vacation in France for three weeks, the pair rent out the Barbour mansion on the Long Island Sound. Soon romantic chemistry grows alongside their business partnership. Despite the pair’s great preparation and an abundance of secondary characters with connections and talents to help pull off their increasingly ambitious ideas, plans go awry, leaving Audrey and Henry scrambling and second-guessing their choices. The pacing is even, but the characters often take a back seat to the whirlwind of activity that drives the plot, with the emphasis falling on each person’s practical skills and their role in keeping the action moving over their emotional bonds. Audrey is white, and Henry’s surname cues him as Chinese American.

A light and entertaining plot-driven romance. (Romance. 14-18)

Pub Date: March 31, 2026

ISBN: 9780593904794

Page Count: 384

Publisher: Delacorte Romance

Review Posted Online: Dec. 12, 2025

Kirkus Reviews Issue: Jan. 15, 2026

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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