Like The Young Landlords who found themselves responsible to the diverse elderly tenants of a rundown tenement, Myers' latest group of wholesome early teenagers spends a summer helping out at a neighborhood old-people's home. This time, the service is a sentence imposed by a juvenile court judge after narrator Steve (the book is his journal) is caught spray-painting a fictitious gang name on a subway car. (The other three sentenced with him were on hand, and eager abettors.) Steve has perpetrated this uncharacteristic, spur-of-the-moment "vandalism" to impress his new trial brother, Earl, a 13-year-old offender (armed robbery at eleven, for starters) whom Steve's parents have virtuously decided to adopt. And so the story chronicles both Steve and Earl's bumpy progress toward becoming brothers—while Steve's parents learn that noble gestures are not that easily rewarded—and the four kids' growing rapport with, and respect for, the old people, who are hostile at first and prickly about being thought helpless. They also insist on being called "seniors": "If I called you 'colored' instead of 'black' does that make a difference to you? You claim the right to define yourself in your own terms. Well we claim the same right." At the home, there are several such mini-lectures from the seniors; a couple of astutely staged and motivated fights among the kids; and a great united effort to earn money to keep the home in operation. (It fails, alas, because—a typical Myers message—the city welfare bureaucracy punishes initiative.) And meanwhile, back at their own home, there's a funny scene when Steve and Earl try to cook an octopus; some offstage soul-searching by the parents, who aren't sure about keeping Earl; and a sentimental heart-tugger at the end when Earl officially joins the family. Another of Myers' winning, medium-cool raps in the service of good old-fashioned values.
Pub Date: May 3, 1982
ISBN: 014032612X
Page Count: 176
Publisher: Viking
Review Posted Online: Oct. 19, 2011
Kirkus Reviews Issue: May 1, 1982
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
A uniquely arranged bouquet of terrors, as disturbing as it is beautiful.
A family’s secrets rise to the surface as a young man investigates a suspected murder.
Evander, who’s 17 and lonely, never leaves his room in the manor on Hazelthorn Estate. He’s told he’s too fragile and is locked away “for his safety” while an elderly butler feeds him brain-addling “medicine.” But one night changes Evander’s life—and the manor’s future—forever. Byron Lennox-Hall, Evander’s billionaire guardian and the family’s patriarch, dies unexpectedly. Relatives descend upon Hazelthorn like vultures as a shocking twist reveals that Byron left everything to Evander alone. Without Byron around to keep his only grandchild and presumed heir, Laurence “Laurie” Lennox-Hall, away from his ward, Laurie and Evander become the unlikeliest of allies. When they were boys, Laurie attempted to kill Evander—but, maddeningly, Evander can’t stop thinking about him. He also suspects that someone murdered Byron. Drews’ latest starts off as a straightforward whodunit and turns into something that’s far more sinister—and delicious. From descriptions of moth-eaten decay to vivid floral imagery, Drews luxuriates in atmospheric prose. Their literary green thumb nurtures intertwining themes of monstrosity and abuse alongside yearning, first love, queerness, and mystery. The slow-burn romance at the root of this blend of gothic and body horror is as tender as it is unforgettable. Evander is cued as autistic, and main characters present white.
A uniquely arranged bouquet of terrors, as disturbing as it is beautiful. (author’s note) (Horror. 13-18)Pub Date: Oct. 28, 2025
ISBN: 9781250376299
Page Count: 368
Publisher: Feiwel & Friends
Review Posted Online: Aug. 2, 2025
Kirkus Reviews Issue: Sept. 1, 2025
BOOK REVIEW
BOOK REVIEW
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