by Walter J. Schenck Jr. illustrated by Ethel Marcella Langford ‧ RELEASE DATE: June 13, 2014
A touching tribute to a dog lover and all sorts of canines.
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A lyrical ode to man’s best friend, complete with hand-drawn depictions of a wide range of breeds.
Schenck’s (Priests and Warriors, 2013) children’s book, written in tribute to the author’s late uncle Earl Langford, describes the canine kingdom from the perspective of the animals themselves, using “I” and “we” to trace their evolutionary heritage from wild animals to the domesticated creatures we recognize today. With illustrations drawn by Uncle Earl’s wife, Ethel Langford, the realistic renderings have captions with breed names and physical characteristics such as height and weight. Most depictions show dogs grouped by breed and in action, such as huskies and malamutes working as sled dogs in snowdrifts. The journey, written in poetic prose, weaves in elements of Uncle Earl’s life with dogs, especially related to hunting: Bird dogs flush out prey, retrievers fetch downed animals, terriers herd livestock, others even swim and nap with Uncle Earl. In the story’s insistent stanzas, the dogs' plea to humankind—dog owners, lovers and keepers—is to treat them well, play with them and love them. Implicit in this entreaty is that part of loving animals is respecting their abilities and acknowledging their powers, not treating them like toys by docking their tails or clipping their ears. Verses filled with scenes of dogs at play attempt to extrapolate a kind of canine moral code: Dogs bark and growl because they defend what they love; they chase and nip because they are forever hunting. Though the story meanders into asides with details about the history and habits of certain breeds, owners of such dogs will nod in agreement: Herding blue heelers “long to nip at the cattle hoofs,” and intelligent basenjis “think upon dreams / of how [they] should rearrange the house.” Schenck keeps the matter of being a good dog and good dog owner at the forefront, without delving into a specific relationship of any one dog with Uncle Earl. Such an expansive survey of the dog world ensures animal lovers will spot their favorite breed, with a two-page index listing breeds alphabetically.
A touching tribute to a dog lover and all sorts of canines.Pub Date: June 13, 2014
ISBN: 978-1499517927
Page Count: 64
Publisher: CreateSpace
Review Posted Online: Aug. 14, 2014
Kirkus Reviews Issue: Oct. 1, 2014
Review Program: Kirkus Indie
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by Andrew Clements & illustrated by Brian Selznick ‧ RELEASE DATE: June 1, 2001
A world-class charmer, Clements (The Janitor’s Boy, 2000, etc.) woos aspiring young authors—as well as grown up publishers, editors, agents, parents, teachers, and even reviewers—with this tongue-in-cheek tale of a 12-year-old novelist’s triumphant debut. Sparked by a chance comment of her mother’s, a harried assistant editor for a (surely fictional) children’s imprint, Natalie draws on deep reserves of feeling and writing talent to create a moving story about a troubled schoolgirl and her father. First, it moves her pushy friend Zoe, who decides that it has to be published; then it moves a timorous, second-year English teacher into helping Zoe set up a virtual literary agency; then, submitted pseudonymously, it moves Natalie’s unsuspecting mother into peddling it to her waspish editor-in-chief. Depicting the world of children’s publishing as a delicious mix of idealism and office politics, Clements squires the manuscript past slush pile and contract, the editing process, and initial buzz (“The Cheater grabs hold of your heart and never lets go,” gushes Kirkus). Finally, in a tearful, joyous scene—carefully staged by Zoe, who turns out to be perfect agent material: cunning, loyal, devious, manipulative, utterly shameless—at the publication party, Natalie’s identity is revealed as news cameras roll. Selznick’s gnomic, realistic portraits at once reflect the tale’s droll undertone and deftly capture each character’s distinct personality. Terrific for flourishing school writing projects, this is practical as well as poignant. Indeed, it “grabs hold of yourheart and never lets go.” (Fiction. 10-12)
Pub Date: June 1, 2001
ISBN: 0-689-82594-3
Page Count: 160
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2001
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illustrated by Lynne Avril by George Ella Lyon ‧ RELEASE DATE: June 22, 2010
Ginny loves reading circle, but getting there is a bit of a challenge because only half the chairs are real. Figuring out which words to read is tough, too. See, “Ginny’s eyes [play] tricks”—she’s got double vision and doesn’t realize that’s unusual. “We read it just once,” says her teacher, and, “Don’t squint.” Lyon’s simple, declarative text effortlessly puts readers into Ginny’s head, and Avril’s whimsical mixed-media illustrations give them her eyes, overlaying one image slightly off its original in a satisfyingly disorienting fashion. A vision test at school is revelatory: “Do you know,” the nurse asks gently, “that most people see only one?” This small episode, taken from the author’s own experience, is much more than bibliotherapy, even though it covers Ginny’s remedial eye patch (hence the title). In single or double vision, Ginny simply glows. (Picture book. 4-8)
Pub Date: June 22, 2010
ISBN: 978-1-4169-5024-0
Page Count: 40
Publisher: Richard Jackson/Atheneum
Review Posted Online: June 3, 2010
Kirkus Reviews Issue: June 1, 2010
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