An assured and nimble satire.
A playwright and a toff join forces in an attempt to expose the bias of theater culture in this debut novel.
Relebogile Naledi Mpho Moruakgomo goes by “Eddie.” A Black woman raised in London by her mother, an immigrant from Botswana, she explains, “As I sauntered into my teenage years, social standing and appearance became everything, and I had a name that was practically oral acrobatics…a name that received a predictable scroll of questions about the meaning. A suggestion that ‘Eddie’ might be easier.” Her acquiescence to this suggestion in many ways sets the tone for the book. Eddie is fresh out of university and finishing her latest, best play when she meets Hugo Lawrence Smith, a wealthy white law student and professed theater lover. After rounds and rounds of rejection and a keen understanding of the inherent racism at work, Eddie asks Hugo to submit the play under his name. No surprise that it becomes a huge success. There are as many layers here as in a croissant and it’s just as rich, but beware of enjoying it too much—Jay is always exposing new levels of rancidity in the world. Eddie’s play is a dystopian fable about immigration and the "myth of meritocracy,” but everyone takes it at face value that Hugo could have written it. Hugo himself seems like a surprisingly stand-up guy—doing exactly as Eddie says at every juncture, studying theater in order to represent her play well—but his streak of selfishness further jeopardizes their already complex and risky entanglement. And Eddie’s awareness of the rigged system is matched only by her penchant for self-sabotage. Jay plays with romantic conventions, employs thriller-esque pacing, and seems to be having fun. Readers will, too.
An assured and nimble satire.Pub Date: Feb. 25, 2025
ISBN: 9781668062364
Page Count: 288
Publisher: Washington Square Press/Atria
Review Posted Online: Dec. 28, 2024
Kirkus Reviews Issue: Feb. 1, 2025
PERSPECTIVES
Hokey plot, good fun.
A business executive becomes an unjustly wanted man.
Walter Nash attends his estranged father Tiberius’ funeral, where Ty’s Army buddy, Shock, rips into him for not being the kind of man the Vietnam vet Ty was. Instead, Nash is the successful head of acquisitions for Sybaritic Investments, where he earns a handsome paycheck that supports his wife, Judith, and his teenage daughter, Maggie. An FBI agent approaches Nash after the funeral and asks him to be a mole in his company, because the feds consider chief executive Rhett Temple “a criminal consorting with some very dangerous people.” It’s “a chance to be a hero,” the agent says, while admitting that Nash’s personal and financial risks are immense. Indeed, readers soon find Temple and a cohort standing over a fresh corpse and wondering what to do with it. Temple is not an especially talented executive, and he frets that his hated father, the chairman of the board, will eventually replace him with Nash. (Father-son relationships are not glorified in this tale.) Temple is cartoonishly rotten. He answers to a mysterious woman in Asia, whom he rightly fears. He kills. He beds various women including Judith, whom he tries to turn against Nash. The story’s dramatic turn follows Maggie’s kidnapping, where Nash is wrongly accused. Believing Nash’s innocence, Shock helps him change completely with intense exercise, bulking up and tattooing his body, and learning how to fight and kill. Eventually he looks nothing like the dweeb who’d once taken up tennis instead of football, much to Ty’s undying disgust. Finding the victim and the kidnappers becomes his sole mission. As a child watching his father hunt, Nash could never have killed a living thing. But with his old life over—now he will kill, and he will take any risks necessary. His transformation is implausible, though at least he’s not green like the Incredible Hulk. Loose ends abound by the end as he ignores a plea to “not get on that damn plane,” so a sequel is a necessity.
Hokey plot, good fun.Pub Date: Nov. 11, 2025
ISBN: 9781538757987
Page Count: 448
Publisher: Grand Central Publishing
Review Posted Online: Aug. 29, 2025
Kirkus Reviews Issue: Oct. 1, 2025
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
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