Dual biography of Lucy and Desi by the author of Natalie & R.J.: A Hollywood Love Story (1988), Cary Grant: A Touch of Elegance (1987), etc. Despite his stylelessness, Harris performs a thorough job on the lives of TV's greatest comedy team, although he does not offer complete cast listings, show dates, or titles. What he does capture well is Desi's solemn patience as he explains things to Lucy: Desi's Cuban tones enliven every page he's on—but then so does Lucy's amused tolerance with Desi. The two first met in the RKO commissary when Desi was a bombshell Broadway success at 23 and Lucy at 29 was grinding out six musicals a year. Lucy grew up in a suburb of Jamestown, N.Y., where she became known as the ``Jamestown hussy'' because of her raccoon coat and flapper's galoshes. After a few ``missing years,'' about which there are dark hints, she landed a job as a Goldwyn Girl at MGM. Meanwhile, Desi grew up spoiled rotten as the son of the mayor of Santiago, Cuba. At 15, he was welcomed as a regular at a fastidious brothel. Moving to Miami, he landed a job as a guitarist at the Roney Plaza, became a featured singer with Xavier Cugat's band, then formed his own band and had his breakthrough with the conga. After he and Lucy eloped, they soon found themselves separated by film work, and his infidelities led to her filing for divorce before their fourth anniversary. They became reconciled, but Desi's gambling, girls, and booze never stopped, and life became hell on earth. The birth of Ricky, Jr., on I Love Lucy, timed to the birth of Desi, Jr., in real life, drew unbelievable ratings and had the country crazed. The final I Love Lucy brought on national mourning. Lucy's second marriage, to Gary Morton, outlasted her 19 years with Desi, with Gary calling his friend Desi his husband-in-law. Amusing, sometimes moving. (Sixteen pages of b&w photographs- -not seen.)
Pub Date: Oct. 1, 1991
ISBN: 0-671-74709-6
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1991
BOOK REVIEW
BOOK REVIEW
A courageous and thought-provoking memoir.
A bestselling memoirist’s account of coping with an unexpected midlife evolution in sexual identity.
When Wizenberg, who runs the popular Orangette blog, received a jury duty summons, she never thought that it would lead to divorce. In court, her eyes were immediately drawn to a female defense attorney dressed in a men’s suit. Her thoughts lingered on the attractive stranger after each day’s proceedings. But guilt at being “a woman wearing a wedding ring” made the author feel increasingly guilty for the obsession that seized her. Her husband, Brandon, a successful Seattle restaurateur, and their daughter were the “stars” that guided her path; the books she had written revolved like planets around the sun of their relationship and the restaurants they had founded together. However, in the weeks that followed, Wizenberg shocked herself by telling her husband about the attraction and suggesting that they open their marriage to polyamorous experimentation. Reading the work of writers like Adrienne Rich who had discovered their lesbianism later in life, Wizenberg engaged in deep, sometimes-painful self-interrogation. The author remembered the story of a married uncle, a man she resembled, who came out as gay and then later died of AIDS as well as a brief lesbian flirtation in late adolescence where “nothing happened.” Eventually, Wizenberg began dating the lawyer and fell in love with her. Wizenberg then began the painful process of separating herself from Brandon and, later, from their restaurant businesses that she had quietly seen as impediments to her writing. Feeling unfulfilled by Nora, a self-professed “stone top” who preferred to give pleasure rather than receive it, Wizenberg began to date a nonbinary person named Ash. Through that relationship, she came to embrace both gender and sexual fluidity. Interwoven throughout with research insights into the complexity of female sexual identity, Wizenberg’s book not only offers a glimpse into the shifting nature of selfhood; it also celebrates one woman’s hard-won acceptance of her own sexual difference.
A courageous and thought-provoking memoir.Pub Date: May 12, 2020
ISBN: 978-1-4197-4299-6
Page Count: 256
Publisher: Abrams
Review Posted Online: Feb. 16, 2020
Kirkus Reviews Issue: March 15, 2020
BOOK REVIEW
Graceful and deeply felt.
A collection of personal pieces, combined into an affecting memoir by longtime New Yorker editor Angell.
The author, a noted baseball writer (A Pitcher’s Story, 2001, etc.), has many intimate connections to the magazine Gardner Botsford once dubbed “The Comic Weekly,” in which most of these reminiscences originally appeared. His mother, Katherine, was the New Yorker’s fiction editor; years later, Angell held her former job—and occupied her office. His stepfather, E.B. White, was the magazine’s most important contributor during its most influential years. The memoir mostly concerns New Yorker colleagues and other remarkable people who have been a part of the author’s life. His father, lawyer Ernest Angell, lost Katherine to the younger White but over the years became a figure of immense importance to Roger. Angell loved his mother, loved White, loved his first wife (not much here about the cause of their 1960s divorce), loved his coworkers, loved his job. His portraits are really tributes, whether of the well-known William Maxwell, V.S. Pritchett, Harold Ross or William Shawn, or the lesser-known Botsford and Emily Hahn. Angell offers some New Yorker–insider tidbits (Ian Frazier mimicked Shawn’s voice so well that he could fool colleagues over the phone) and a bit more than you want to know about some of his aunts, one of whom wrote a book about Willa Cather. A dazzling story-within-a-story describes a 1940 round of golf with a mysterious woman who lost a valuable ring. The author seems uncertain how an iPod works but reveals an expertise with machine guns. His fickle memory frustrates and bemuses him. Sometimes he can recall only sensory images; sometimes the story unreeling in his mind skips, stops, fades, dissolves into something else. In several of his most appealing passages, he writes about the fictions that memory fashions.
Graceful and deeply felt.Pub Date: May 8, 2006
ISBN: 0-15-101350-0
Page Count: 304
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2006
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