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PETTY

THE BIOGRAPHY

Though it attests to the artist’s singularity, this incisive, illuminating biography also serves as an elegy to one of the...

A biography of a reticent musician that will allow even his biggest fans to see him with fresh eyes and hear him with fresh ears.

Zanes (Revolutions in Sound: Warner Bros. Records: The First Fifty Years, 2009, etc.) plainly sympathizes with the plight of his subject, an artist who held his band together through decades, tensions, drug addictions, personnel shifts, and solo albums (that often fared better commercially than Petty’s work with his long-standing and much acclaimed band, the Heartbreakers). The author’s own band, the Del Fuegos, even toured with Petty’s, so he’s had personal experience from a couple of perspectives on “the point of the tour when one could hate the sound of the next man’s breathing.” But it was the author’s book on Dusty Springfield that captured Petty’s interest and apparently gained him access to nearly everyone who might present a well-rounded story of an artistically ambitious rocker, one who persevered despite considerable odds and adversity. Zanes also understands how talented musicians in a supporting role (that gives them a lesser financial share than their leader) might feel stifled serving his vision and betrayed by his solo projects and collaborations with outsiders. The narrative climaxes with Petty divorcing, falling in love, becoming addicted to heroin, mourning the deaths of parents and a band mate, isolated from the rest of the Heartbreakers, and suffering from clinical depression so severe he could hardly leave his bed. Zanes brings a depth and empathy to the narrative that never veers toward sensationalism. He also shows how and why Petty became George Harrison’s closest friend, how the band found itself working with both Bob Dylan and Johnny Cash, and how Petty has found fulfillment within the delicate balances of his life.

Though it attests to the artist’s singularity, this incisive, illuminating biography also serves as an elegy to one of the golden eras of the classic rock band—of the days when “a band was everything, a shield and a shelter.”

Pub Date: Nov. 10, 2015

ISBN: 978-0-8050-9968-3

Page Count: 320

Publisher: Henry Holt

Review Posted Online: Aug. 8, 2015

Kirkus Reviews Issue: Sept. 1, 2015

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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BLACK BOY

A RECORD OF CHILDHOOD AND YOUTH

This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.

It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.

Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.

Pub Date: Feb. 28, 1945

ISBN: 0061130249

Page Count: 450

Publisher: N/A

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Feb. 1, 1945

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