A warm and often touching relationship memoir.
A devoutly religious man recounts the story of his long and happy second marriage.
“A great marriage has its own set of unpredictable, disruptive uncertainties that wreak havoc on the goal of ‘till-death-do-us-part’ commitment,” Calhoun writes at the start of his debut work of nonfiction, but he notes that “these marital peaks and valleys are the ingredients that strengthen and forge the best marriages.” This practical, realist tone runs throughout the book as the author affectionately recalls both the good and the difficult times in his relationship with his wife, Mildred, whom he married in 1981. It all started with a “WOW moment,” he says, when she walked into a Bible study group that he was teaching in California in 1980; the narrative flows smoothly from there, with Calhoun relating a series of stories about their growing relationship, which began platonically, as he was separated but not yet divorced from his first wife. These recollections have the comfortably rounded feel of old favorites that have been smoothed to perfection in many retellings, and they run an emotional gamut. Some are humorous, as when Calhoun tells of innocently suggesting a date to see the disturbing movie Deliverancebecause it had a nice, uplifting, Christian-sounding title; others are serious and involving, such as an account of when they were served a same-day eviction notice at a house where they’d lived for years. The thread that links all of these disparate stories together is the author’s strongly professed Christian faith, and many quotations from Scripture crop up throughout the book, commenting on particular events. However, Calhoun’s decision to intersperse letters he wrote to Mildred results in repetitiveness, and this can make the text feel bland: “By 1997, my wonderful bride and I had shared SIXTEEN exciting Valentine's Days,” he writes at one such point. “And each ensuing one reached another level of our commitment to our oneness vows.” However, Calhoun’s funny, relatable voice frequently compensates for this.
A warm and often touching relationship memoir.Pub Date: July 28, 2016
ISBN: 978-1-53-557923-0
Page Count: 270
Publisher: CreateSpace
Review Posted Online: Dec. 12, 2021
Review Program: Kirkus Indie
A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.
An insider’s chronicle of a pivotal presidential campaign.
Several months into the mounting political upheaval of Donald Trump’s second term and following a wave of bestselling political exposés, most notably Jake Tapper and Alex Thompson’s Original Sin on Joe Biden’s health and late decision to step down, former Vice President Harris offers her own account of the consequential months surrounding Biden’s withdrawal and her swift campaign for the presidency. Structured as brief chapters with countdown headers from 107 days to Election Day, the book recounts the campaign’s daily rigors: vetting a running mate, navigating back-to-back rallies, preparing for the convention and the debate with Trump, and deflecting obstacles in the form of both Trump’s camp and Biden’s faltering team. Harris aims to set the record straight on issues that have remained hotly debated. While acknowledging Biden’s advancing decline, she also highlights his foreign-policy steadiness: “His years of experience in foreign policy clearly showed….He was always focused, always commander in chief in that room.” More blame is placed on his inner circle, especially Jill Biden, whom Harris faults for pushing him beyond his limits—“the people who knew him best, should have realized that any campaign was a bridge too far.” Throughout, she highlights her own qualifications and dismisses suggestions that an open contest might have better served the party: “If they thought I was down with a mini primary or some other half-baked procedure, I was quick to disabuse them.” Facing Trump’s increasingly unhinged behavior, Harris never openly doubts her ability to confront him. Yet she doesn’t fully persuade the reader that she had the capacity to counter his dominance, suggesting instead that her defeat stemmed from a lack of time—a theme underscored by the urgency of the book’s title. If not entirely sanguine about the future, she maintains a clear-eyed view of the damage already done: “Perhaps so much damage that we will have to re-create our government…something leaner, swifter, and much more efficient.”
A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.Pub Date: Sept. 23, 2025
ISBN: 9781668211656
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: Sept. 23, 2025
Kirkus Reviews Issue: Nov. 15, 2025
BOOK REVIEW
BOOK REVIEW
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.
A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”
McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.Pub Date: Sept. 16, 2025
ISBN: 9781984862105
Page Count: 208
Publisher: Crown
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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