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NORTH OF NOW

A CELEBRATION OF COUNTRY AND THE SOON TO BE GONE

A back-to-the-land and back-to-the-old-ways collection of often charming autobiographical essays. Wetherell, a novelist (The Wisest Man in America, 1995, etc.), and short-story writer and a longtime resident of the hill country of western New Hampshire, is a resolutely happy man, blessed, he writes, with a perfect mate and a perfect home. He finds his happiness to be due in large part to the simplicity of his life; he owns no television, writes only grudgingly on an electric typewriter, and refuses to purchase a computer. Wetherell occasionally belabors his us-against-the-world stance, but he has a point; his book is full of little pieces on life's simple pleasures, like reading, or gazing at the stars, or contemplating the history of his forebears and the ways of his neighbors. ``I am revealing myself to be as extinct as a dinosaur, dead as a dodo, a relic of another era, a footnote to an age that not only rushes ahead in heedless bondage to the new, but tramples in contempt on anyone who stubbornly refuses to keep pace,'' he writes. That stubbornness takes a sometimes curmudgeonly tone, as when Wetherell grumps at the noises his neighbors make with their V8 engines and boom boxes. But more often Wetherell is a courtly critic of the modern age, an age in which ``it's becoming impossible to live with any kind of economic modesty,'' even way out in the sticks. Still, he sees signs of hope for a return to at least some of the old ways, including a reemerging ethos of repairing rather than discarding, a yearning for community, and a newfound ``reverence . . . for the land.'' A pleasing declaration in favor of the country life.

Pub Date: March 1, 1998

ISBN: 1-55821-651-0

Page Count: 288

Publisher: Lyons Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 1997

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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