An indispensable work of popular psychology and sociology.
A simultaneously frothy and substantive tour of female sexual desire.
The title of this “work of cultural criticism” is a double-entendre; Martin (Primates of Park Avenue, 2015, etc.) investigates women who’ve been untrue—i.e., unfaithful—and she debunks popular untruths about female sexuality. As she shows, women are not inherently more monogamous than men, and although Americans talk about valuing monogamy, many of us, including a lot of women, cheat. Sometimes women cheat to keep their marriages together. Rather than go through messy, economically disastrous divorces, women find sexual fulfillment on the side so they can continue to tolerate an unsatisfying marriage. Vignettes drawn from interviews Martin conducted with 32 men and women leaven the book, but the strongest sections are Martin’s accessible translations of academic research. For example, primatologist Sarah Blaffer Hrdy studied langurs in India, noting how female langurs often mate “promiscuously,” with as many males as possible. Hrdy theorized that this behavior is “assiduously maternal.” Male langurs have the habit of killing infants in order to lure now-childless females to mate with them. By having sex with lots of males, a female decreases the number of males who might want to kill her baby because, after all, that baby just might be the would-be killer’s offspring. The author’s summaries of research are never dry. She notes that Hrdy’s depiction of “sexually assertive” females was, initially, somewhat controversial; in what Hrdy describes as a “mortifying” moment, one colleague asked, “So, Sarah…you’re saying you’re horny, right?” Other scholars who make appearances are sociologist Alicia Walker, who argues that women don’t just stumble into adultery after one too many drinks at the hotel bar on a work trip, they actively pursue infidelity; and primatologist Zanna Clay, who suggests that females’ cries and groans during sex have the effect of advertising to nearby males, “Receptive and ready just as soon as this is over!”
An indispensable work of popular psychology and sociology.Pub Date: Sept. 18, 2018
ISBN: 978-0-316-46361-4
Page Count: 304
Publisher: Little, Brown Spark
Review Posted Online: Aug. 20, 2018
Kirkus Reviews Issue: Sept. 1, 2018
BOOK REVIEW
Gioia, musician and critic, winner of the ASCAPDeems Taylor Award for The Imperfect Art (not reviewed) takes on a daunting task, tracing the history of jazz from preCivil War New Orleans to the embattled music of today—and does a creditable job of it. Jazz's history has been written by entirely too many mythographers and polemicists. Gioia, mercifully, spares us the myths and polemics. ``The Africanization of American music,'' as he calls it, begins farther back in American history than New Orleans's aptly named Storyville red-light district around the turn of the century; he starts his narrative in the slave market of the city's Congo Square in 1819, and when it comes to Storyville, he offers hard facts to puncture the picturesque racism that finds jazz's roots in the whorehouses of New Orleans. Indeed, one of the great strengths of Gioia's account is the sociohistorical insights it offers, albeit occasionally as throwaway sidelights, such as his observation about drumming as an avatar of regimentation more than of freedom. He is particularly good in explaining how the music was disseminated and shaped by new technologies—the player piano, the phonograph, radio. He is also excellent at drawing a portrait of a musician's style in short brushstrokes. His prose is for the most part fluid and even graceful (although his metaphors do get a bit strained at times, as in his comparison of Don Redman's ``jagged, pointillistic'' arrangement of ``The Whiteman Stomp'' and the Heisenberg uncertainty principle). Although Gioia is much too generous to jazz-rock fusion of the '70s and '80s and probably gives more space than necessary to white dance bands like the Casa Loma orchestra, if you wanted to introduce someone to jazz with a single book, this would be a good choice. (9 b&w photos, not seen)
Pub Date: Nov. 1, 1997
ISBN: 0-19-509081-0
Page Count: 448
Publisher: Oxford Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1997
BOOK REVIEW
BOOK REVIEW
Satirical, raw, and unapologetically real, West delivers the bittersweet truths on contemporary living.
A cornucopia of shrewd cultural observations from New York Times columnist West (Shrill: Notes From a Loud Woman, 2016).
In 18 pointed essays, the author addresses a variety of topics, including frivolous internet sensation Grumpy Cat, South Park, Guy Fieri, and the global significance of abortion rights and gender equality. In West’s opening tirade, she denounces Donald Trump’s repetitive usage of the term “witch hunt” while scrutinizing his uncanny “ability to conjure reality out of hot air and spittle.” This essay serves as the launching pad for further pieces exposing the sorry state of contemporary American politics and popular culture. Tough, irritated, and eager to speak her truth, the author expounds on the unifying aspects of visibility and activism to cultivate change, especially when countering the denigration of women. Her sharp wit and no-nonsense sense of humor also shine through her dissection of the work of Adam Sandler, Gwyneth Paltrow’s diet plan (her avocado smoothie “could give diarrhea an existential crisis”), and how movies like Clue shaped her perspectives and appreciation for one-liners and physical comedy. West rarely minces words, especially regarding documentaries on the Ted Bundy murders and the Fyre Festival or when expressing her sheer appreciation for the legacy of Joan Rivers, and her writing is fluid and multifaceted. Though she often rages at social injustice, she also becomes solemnly poetic when discussing her fondness for the drizzly Pacific Northwest, where she was raised and still resides, a place where she can still feel her deceased father’s presence “in the ridges and grooves of my city—we are close, superimposed, separated only by time, and what’s that? This is the only religion I can relate to.” Only occasionally are the smoothly written essays hijacked by intrusive asides—e.g., her experience inside a proselytizing Uber driver’s car, a scene wedged into her reflections on climate change. Though uneven at times, the author drives home the critical issues of our time while taking time to tickle our funny bones.
Satirical, raw, and unapologetically real, West delivers the bittersweet truths on contemporary living.Pub Date: Nov. 5, 2019
ISBN: 978-0-316-44988-5
Page Count: 272
Publisher: Hachette
Review Posted Online: Sept. 10, 2019
Kirkus Reviews Issue: Oct. 1, 2019
BOOK REVIEW
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