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FLIPPED

Proof that the course of pubescent love never runs smooth. When Bryce and Julianna (Juli) meet, they are both seven and Bryce has just moved in across the street. For Juli, it is love at first sight: “The day I first met Bryce Loski, I flipped. Honestly, one look at him and I became a lunatic. It’s his eyes.” As far as Bryce is concerned, the feeling is definitely not mutual: “All I’ve ever wanted is for Juli Baker to leave me alone. For her to back off—you know, just give me some space.” Six years after their meeting, Bryce is something of a judgmental priss (just like his father), and Juli is full of passion and enthusiasm for life. But in their eighth-grade year, Juli’s fight to save an old tree from being cut down causes Bryce to look at Juli with growing admiration—just at the same time that Juli finally realizes that Bryce’s character does not measure up to his eyes. The story is told in both voices, in alternating chapters that develop from a sort of “he said, she said” dialogue into an exploration of perception, misapprehension, and context. Van Draanen (Sammy Keyes and the Hollywood Mummy Mystery, 2000, etc.) deftly manages the difficult task of establishing and maintaining the reader’s sympathy with both characters. The text stretches credibility in a couple of ways, especially with the premise that a seven-year-old is capable of a long-lasting romantic infatuation. It is, nevertheless, a highly agreeable romantic comedy tempered with the pointed lesson (demonstrated by the straining of Bryce’s parents’ marriage) that the “choices you make now will affect you for the rest of your life.” (Fiction. 10-14)

Pub Date: Oct. 1, 2001

ISBN: 0-375-81174-5

Page Count: 224

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2001

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FRIENDS AND ENEMIES

A mild exploration of pacifism, from the perspective of a 14-year-old boy who carries on turbulent friendship with a young Mennonite in WWII-era Kansas. When William moves to Plaintown, he is lonely and unsure of himself until he befriends Jim, a Mennonite. The two become fast friends, but soon the relationship is sorely tested after the bombing of Pearl Harbor, when Jim elects not to participate in the war effort. William tries to understand, at first, but soon allies himself with narrow-minded Clive and his buddies, who taunt the Mennonites. William’s father, the earnest local minister, advocates tolerance, patience, and fair-mindedness, but does not always understand William’s predicament. In the final cathartic scene, William joins in a fight that leaves Jim beaten and bloodied, but also helps him. That kind of conflict characterizes this realistic historical novel, whose 1940s Midwestern values may seem oddly outdated to today’s readers. Gaeddert (Hope, 1995, etc.) outlines, however, a classic struggle between right and wrong, and the fashion in which it is played out is timeless. (Fiction. 10-14)

Pub Date: March 1, 2000

ISBN: 0-689-82822-5

Page Count: 163

Publisher: Atheneum

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 1999

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DRAWING LESSONS

A teenager suffers through her parents’ separation in this smoothly stylized, if conventional, debut. Aurora’s world comes crashing down when she catches her artist father nuzzling a model. Rory, a talented artist herself, furiously burns her sketchbook; suddenly he’s gone, leaving Rory and her mother wallowing in teary guilt, sending back a letter with lines that infuriate: “one day you’ll understand,” and “someday, when you’re older . . . “ Rory stops all painting and drawing, and curls up around the hurt, stonewalling even her best friend, Nicky. Rory’s almost continual awareness of light and color gives her a convincing artist’s voice, and Mack sets her back on her feet in the end, with the help of time, Nicky’s loyalty, and a startling gift from her father: her charred sketchbook, rescued and repaired both as a sign of his love, and to remind her to believe in herself. Psychological insight here is but skin deep, and the characters play it pretty close to type, but readers may be affected by the story’s overall emotional intensity. (Fiction. 11-13)

Pub Date: March 1, 2000

ISBN: 0-439-11202-8

Page Count: 168

Publisher: Scholastic

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 1999

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