Vintage Berry, elegiac and elegant, with a profound sense of all that has been lost.
Kentucky farmer and writer Berry continues his cycle of Port William stories.
Marcellus Catlett, 43 years old, is a tobacco farmer, noble and stoic, out in the fields before dawn. It’s 1906, and he’s hauled in a fine crop, “prizing at last the cured and graded, appraised and cherished leaves into hogsheads that he sent by the railroad to the auction warehouse in Louisville.” Alas for Marce, James B. Duke’s American Tobacco Co. has cornered the market and is paying less than it costs to grow the stuff. “Its purchase, properly named, was theft,” writes Berry. It’s up to Marce’s young son, Wheeler, grown to manhood, to enlist the aid of the government to organize a farmers cooperative to wrest a fair price for their crop. Berry, as always, writes in simple but elegant language, celebrating rural lifeways: “Wheeler grew into the love of farming. He loved the days he worked to the end of, and from there looked back at the difference he had made.” Wheeler, like Marce, is also a born leader, brilliant and diligent, qualities that pass along to his descendants all the way up to the present day, when, Berry allows, tobacco isn’t much farmed anymore, given its carcinogenic qualities. Berry’s novel is very much of a piece with his celebrated essays on culture and agriculture, almost to the point of didacticism; what saves the book from becoming an extended sermon (“The industrial replacement of neighborhood by competition and technology moves everything worthy of love out of reach”) is Berry’s ability to construct a good story that circles through time, beginning and ending in the faraway past and showing plainly the habits of mind and work that have been undone by corporate rule, divorce from nature, and simple greed, “a mortal disease.”
Vintage Berry, elegiac and elegant, with a profound sense of all that has been lost.Pub Date: Oct. 7, 2025
ISBN: 9781640097759
Page Count: 176
Publisher: Counterpoint
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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