Soft-spoken, yet powerful; Halperin not only tells, she makes readers think, which is the best way to learn.
It is difficult to teach the concept of peace, especially through words alone. Wisely, Halperin buttresses her words visually.
Halperin pulls readers in by letting them create their own stories. In the first half, when the narrator explains what must be done (“For there to be peace in nations, / there must be peace in cities”), small, detailed vignettes show people around the world in trying circumstances. Readers see anger, loneliness, bullying and more. But when the structure switches and works its way from the microcosm back out (“There will be peace in our cities / when there is peace in our nations”), readers can find resolutions to all the problems of the previous pages. Halperin invites children to pore over the colored-pencil drawings, carefully inspecting each miniature storyline to imagine what happens. In the first nations/cities spread, for example, one vignette depicts an old man with a cane walking past a full bench on a subway car; in the second, a boy has stood to give him his seat. Quotes from noted peacemakers wind in ribbons around the vignettes. The center spread, which declares the ever-earnest advice that peace must start in our hearts, includes drawings from actual children—all of which hopefully inspire readers that they can make a difference, no matter how small.
Soft-spoken, yet powerful; Halperin not only tells, she makes readers think, which is the best way to learn. (Picture book. 5-8)Pub Date: Jan. 29, 2013
ISBN: 978-0-689-82552-1
Page Count: 40
Publisher: Atheneum
Review Posted Online: Dec. 1, 2012
Kirkus Reviews Issue: Dec. 15, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Another empowering outing led by a dynamic young role model.
The third title in the Ambitious Girl series finds young Maya wanting accomplished women to get their due.
On a school trip to Washington, D.C., brown-skinned, bubble-braided Maya is full of questions, among them “How many representatives are there?” and, while checking out the statues and monuments, “Where are all the women?” Maya’s teacher tells her that they’ve seen all the “popular” statues and monuments. Maya is as dogged (“But what about Eleanor Roosevelt? Or Mary McLeod Bethune?”) as her teacher is dismissive: “Those aren’t on my list.” (Maya’s teacher follows the same list every trip.) Back at home, Maya is newly awakened to the lack of female representation in her orbit—she notices that streets and “even her own school” are named for men. Is there anything she can do about this? Maya’s teacher’s cluelessness feels a bit implausible, more like a plot device to steer the story in the right direction, but Maya’s righteous indignation is believable, and her corresponding activism will energize readers. Valdez gets into the spirit of things with her invigorating digital art: Maya and her multiethnic classmates and neighbors are colorful dressers with smiling faces, which fosters a sense that wherever Maya goes, a warm and ebullient community is there for her.
Another empowering outing led by a dynamic young role model. (Picture book. 5-8)Pub Date: Feb. 3, 2026
ISBN: 9780316561341
Page Count: 40
Publisher: Little, Brown
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
BOOK REVIEW
BOOK REVIEW
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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