A poignant, impressive debut.
Four generations of a Chinese and Chinese American family navigate the ties and trials of kinship.
Chen begins her first novel with a fairytale romance in rural pre-communist China. Yunhong, whose name translates as something like Clouds of Happy Red, is from the Zhangs, a family of modest means, and her beau is the son of a local lord. But their marriage in 1927 is short-lived. One of her brothers is among the revolutionaries who ransack the lord’s house and kill her husband. The time shifts to 1967 and Nanjing. Yunhong’s twin granddaughters march off to school carrying Mao’s Little Red Book. Children have names like Leap Forward and Resist America. One twin loses her lover when he’s rusticated, like so many during the Cultural Revolution, and dies. The other, Hongxing, dreams of “joining an art troupe” and falls into a forbidden love. The book’s last big section jumps to the U.S. in the years 2004-2009. While some family members left China for the U.S., one who remained is Hongxing. She enjoyed a successful acting career until her illicit love emerged and she was “erased from public memory by the government.” Feeling utterly alone, she visits her sister in the U.S. and hopes to persuade her to have their ailing mother buried in China. Chen’s narrative is full of poignant family moments set against the larger canvas of history, while singular and recurring images link the fragmented narrative: a birthmark carried by daughters; a silk-lined trunk and its keepsakes handed down across generations; memories that are rendered as bedtime stories with dragons and princes; an old damaged photo restored by computer to startling clarity. Throughout, the author depicts women who find in themselves the strength to be more than the times might allow and in their families a sweet solace amid that struggle.
A poignant, impressive debut.Pub Date: May 7, 2024
ISBN: 9781643755151
Page Count: 256
Publisher: Algonquin
Review Posted Online: Feb. 17, 2024
Kirkus Reviews Issue: March 15, 2024
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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