Perhaps it’s intended as a fiction tie-in to Common Core Curriculum studies, but it’s not at all successful, compelling or...
In 1904, three children from New York City’s Lower East Side are sent to Kansas on an orphan train.
Jack’s father drinks and does not want him. Frances and her little brother, Harold, have no parents to care for them. They meet while boarding the train at Grand Central Station and start out on a journey fraught with unanswered questions while under the supervision of two matrons, one sympathetic and one coldhearted. When rumors spread about their placements, the three children jump the train in Kansas and meet a boy named Alexander. He has fashioned a children’s-only town for himself called Wanderville, building it with his imagination and stolen food. (Alexander refers to taking food from the nearby town as an act of liberation, a usage more suited to the latter half of the century.) As it turns out, the rumors were true; the other children have been delivered to a Dickensian work farm. A dramatic rescue and sympathetic townspeople put a stop to the horrors, and the three orphans and Alexander are ready for their next adventure and book as they set out for California. The tale is fast-paced but superficial, and beyond the immediate appeal of its subject, it offers no sure sense of place or character development.
Perhaps it’s intended as a fiction tie-in to Common Core Curriculum studies, but it’s not at all successful, compelling or memorable. (Historical fiction. 8-12)Pub Date: Jan. 23, 2014
ISBN: 978-1-59514-700-4
Page Count: 224
Publisher: Razorbill/Penguin
Review Posted Online: Oct. 22, 2013
Kirkus Reviews Issue: Nov. 15, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
It’s not the first time old Ben has paid our times a call, but it’s funny and free-spirited, with an informational load that...
Antics both instructive and embarrassing ensue after a mysterious package left on their doorstep brings a Founding Father into the lives of two modern children.
Summoned somehow by what looks for all the world like an old-time crystal radio set, Ben Franklin turns out to be an amiable sort. He is immediately taken in hand by 7-year-old Olive for a tour of modern wonders—early versions of which many, from electrical appliances in the kitchen to the Illinois town’s public library and fire department, he justly lays claim to inventing. Meanwhile big brother Nolan, 10, tags along, frantic to return him to his own era before either their divorced mom or snoopy classmate Tommy Tuttle sees him. Fleming, author of Ben Franklin’s Almanac (2003) (and also, not uncoincidentally considering the final scene of this outing, Our Eleanor, 2005), mixes history with humor as the great man dispenses aphorisms and reminiscences through diverse misadventures, all of which end well, before vanishing at last. Following a closing, sequel-cueing kicker (see above) she then separates facts from fancies in closing notes, with print and online leads to more of the former. To go with spot illustrations of the evidently all-white cast throughout the narrative, Fearing incorporates change-of-pace sets of sequential panels for Franklin’s biographical and scientific anecdotes. Final illustrations not seen.
It’s not the first time old Ben has paid our times a call, but it’s funny and free-spirited, with an informational load that adds flavor without weight. (Graphic/fantasy hybrid. 9-11)Pub Date: Sept. 26, 2017
ISBN: 978-1-101-93406-7
Page Count: 240
Publisher: Schwartz & Wade/Random
Review Posted Online: May 9, 2017
Kirkus Reviews Issue: June 1, 2017
A realistic and deeply moving portrayal of a family’s journey through a challenging life transition.
A 12-year-old Chinese American girl learns to cope with grief, anxiety, and uncertainty in the wake of difficult life changes.
After Mo Lin’s stepfather leaves, her family moves in with her Uncle Ray in a new town. Having a depressed, overwhelmed, and emotionally absent mother means it’s up to Mo to take care of 5-year-old half sister CeCe and herself, even though she is grieving. What’s more, the kids at her new middle school are racist and hostile. Her sense of safety in tatters, Mo sees danger everywhere: Even something as mundane as a piece of toast might trigger a house fire. Most unsettling, Maudie the elephant, who died in a local circus fire years ago, keeps haunting her dreams. Mo finds allies in Uncle Ray, a gentle, perceptive man who shows her how music can provide solace; Nathaniel, a ghost-obsessed Jewish classmate; and Lavender, a Black librarian who opens her eyes to diverse, often overlooked stories from history. As Mo tries to determine what Maudie needs from her, she gains insights into the ghosts haunting her own family that must be laid to rest. Triggering past events in Mo’s life are revealed slowly, echoing her evolving ability to process them. The characterization is particularly strong; Mo displays a full range of emotions, from grief to anger, avoidance to acceptance. Her mother and Uncle Ray are fully fleshed, complex characters as well.
A realistic and deeply moving portrayal of a family’s journey through a challenging life transition. (Fiction. 8-12)Pub Date: April 25, 2023
ISBN: 9781250797001
Page Count: 240
Publisher: Roaring Brook Press
Review Posted Online: Jan. 24, 2023
Kirkus Reviews Issue: Feb. 15, 2023
PERSPECTIVES
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