An impressive tale carrying universal themes of grief, change, and letting go.
A young Idaho girl tries to save her family’s farm.
Since her father’s death, 12-year-old Paige has been taking on all the farm chores, determined to keep her father’s regular farming schedule. When her mother and grandfather bring in a real estate agent to try to sell the farm, Paige enlists her younger brother, Scotty, and some friends to try to sabotage the sale of the farm. Simultaneously, a wounded peacock shows up on the farm, which Paige and Scotty secretly nurse back to health. Heartfelt and funny, the story captures the lives of often underrepresented farming families, and though the trope of children scheming to save something beloved that’s in peril through hijinks and humor is familiar, it engages in a deeper discussion of the threat development poses to farmland. The story is set on the Shoshone-Bannock Reservation in southeastern Idaho; Paige, who is white, is best friends with Kimana, a Shoshone-Bannock girl who’s also her robotics partner, and Mateo, who is Latinx and whose family owns the neighboring farm. All characters are fully realized, and the book offers authentic views of rural kids navigating long distances between friends’ houses on dirt bikes and to and from school via bus as well as some very visceral calf birthing. Swore, who lives on the Shoshone-Bannock Reservation, includes brief narratives from two Shoshone-Bannock friends in her author’s note; there is no mention of the catastrophic Dawes Act of 1887, which enabled non-Natives to buy property on tribal lands, however.
An impressive tale carrying universal themes of grief, change, and letting go. (Fiction. 8-12)Pub Date: Feb. 4, 2020
ISBN: 978-1-62972-608-3
Page Count: 336
Publisher: Shadow Mountain
Review Posted Online: Dec. 21, 2019
Kirkus Reviews Issue: Jan. 15, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often...
A successful juvenile by the beloved New Yorker writer portrays a farm episode with an imaginative twist that makes a poignant, humorous story of a pig, a spider and a little girl.
Young Fern Arable pleads for the life of runt piglet Wilbur and gets her father to sell him to a neighbor, Mr. Zuckerman. Daily, Fern visits the Zuckermans to sit and muse with Wilbur and with the clever pen spider Charlotte, who befriends him when he is lonely and downcast. At the news of Wilbur's forthcoming slaughter, campaigning Charlotte, to the astonishment of people for miles around, spins words in her web. "Some Pig" comes first. Then "Terrific"—then "Radiant". The last word, when Wilbur is about to win a show prize and Charlotte is about to die from building her egg sac, is "Humble". And as the wonderful Charlotte does die, the sadness is tempered by the promise of more spiders next spring.
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often informative as amusing, and the whole tenor of appealing wit and pathos will make fine entertainment for reading aloud, too.Pub Date: Oct. 15, 1952
ISBN: 978-0-06-026385-0
Page Count: 192
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 14, 2011
Kirkus Reviews Issue: Oct. 1, 1952
PERSPECTIVES
SEEN & HEARD
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and...
Catrina narrates the story of her mixed-race (Latino/white) family’s move from Southern California to Bahía de la Luna on the Northern California coast.
Dad has a new job, but it’s little sister Maya’s lungs that motivate the move: she has had cystic fibrosis since birth—a degenerative breathing condition. Despite her health, Maya loves adventure, even if her lungs suffer for it and even when Cat must follow to keep her safe. When Carlos, a tall, brown, and handsome teen Ghost Tour guide introduces the sisters to the Bahía ghosts—most of whom were Spanish-speaking Mexicans when alive—they fascinate Maya and she them, but the terrified Cat wants only to get herself and Maya back to safety. When the ghost adventure leads to Maya’s hospitalization, Cat blames both herself and Carlos, which makes seeing him at school difficult. As Cat awakens to the meaning of Halloween and Day of the Dead in this strange new home, she comes to understand the importance of the ghosts both to herself and to Maya. Telgemeier neatly balances enough issues that a lesser artist would split them into separate stories and delivers as much delight textually as visually. The backmatter includes snippets from Telgemeier’s sketchbook and a photo of her in Día makeup.
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and unable to put down this compelling tale. (Graphic fiction. 8-12)Pub Date: Sept. 13, 2016
ISBN: 978-0-545-54061-2
Page Count: 256
Publisher: Scholastic
Review Posted Online: July 1, 2016
Kirkus Reviews Issue: July 15, 2016
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