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MELODY BURNING

Too many sour notes in this melody.

 

A ham-handed contemporary Phantom of the Opera that features a teen pop sensation and an agoraphobic boy by the adult author of The Wolfen (1978). Teen singer and actress Melody McGrath wakes one night to find an attractive boy beside her bed. His name is Beresford, and he’s been living in the walls of her L.A. high rise since the day his father was murdered for trying to document the building’s violations. Instead of being understandably terrified, Melody is charmed, and the two fall in love immediately. They are torn apart when the building super discovers Beresford, and he is shipped off to foster care. Luckily, just before he is taken away, Beresford sees the basement bomb planted by the shady superintendent and his father’s murderer in order to collect a hefty insurance check. So he breaks out of juvie and arrives just in time to save Melody from the burning building by crawling down the side, Spider-Man style. Stronger writing may have distracted readers from the plot’s sheer implausibility, but insipid lines such as, “ ‘Melody,’ he said in his heart, ‘if I die tonight, my last thought will be of you,’ ” and overuse of the words “beautiful” and “perfect” to describe everything from Melody’s eyes to Beresford’s muscles do little to help its case.

Too many sour notes in this melody. (Fiction. 12 & up)

Pub Date: Dec. 6, 2011

ISBN: 978-0-8050-9327-8

Page Count: 224

Publisher: Christy Ottaviano/Henry Holt

Review Posted Online: Oct. 4, 2011

Kirkus Reviews Issue: Nov. 1, 2011

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IF HE HAD BEEN WITH ME

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.

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The finely drawn characters capture readers’ attention in this debut.

Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.   (Fiction. 14 & up)

Pub Date: April 1, 2013

ISBN: 978-1-4022-7782-5

Page Count: 336

Publisher: Sourcebooks Fire

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: March 1, 2013

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BETTER THAN THE MOVIES

From the Better Than the Movies series , Vol. 1

Exactly what the title promises.

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A grieving teen’s devotion to romance films might ruin her chances at actual romance.

Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.

Exactly what the title promises. (Romance. 12-18)

Pub Date: May 4, 2021

ISBN: 978-1-5344-6762-0

Page Count: 368

Publisher: Simon & Schuster

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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