by Will Moses & illustrated by Will Moses ‧ RELEASE DATE: Dec. 8, 2011
Not just an illustrated version of the rhyme, this is a fleshed-out account of a lamb’s tail/tale that all children and...
The "real" story of Mary and her lamb, as the subtitle states, as told and illustrated in Moses’ familiar folk-art style.
Most people assume this poem is a Mother Goose rhyme, but this is not the case. It’s a true story of a little girl named Mary whose lamb followed her to school. In his foreword, Moses recalls the background of the tale and how he discovered it by chance. His narrative of the event as he imagines it follows, and the backmatter provides both the song and the history of the rhyme. Mary Elizabeth Sawyer was born in 1806 in Sterling, Mass., and attended the Redstone Schoolhouse in Sudbury, Mass. John Roulstone witnessed the lamb episode and wrote the first stanza of the poem. Later, in 1830, Sarah Josepha Hale published it and added three more stanzas. What lends quaintness to the tale are Moses’ rustic, oil paintings that pair nicely with the vintage tale. Each scene and wordless double-page spread is filled with details of bygone days to fascinate kids.
Not just an illustrated version of the rhyme, this is a fleshed-out account of a lamb’s tail/tale that all children and adults should know. (Picture book. 5-9)Pub Date: Dec. 8, 2011
ISBN: 978-0-399-25154-2
Page Count: 40
Publisher: Philomel
Review Posted Online: Sept. 13, 2011
Kirkus Reviews Issue: Oct. 1, 2011
Share your opinion of this book
More by Will Moses
BOOK REVIEW
by Phillips Brooks & Lewis H. Redner ; illustrated by Will Moses
BOOK REVIEW
by Will Moses ; illustrated by Will Moses
BOOK REVIEW
by Jay O'Callahan and illustrated by Will Moses
by Natasha Wing ; illustrated by Helen Dardik ‧ RELEASE DATE: Jan. 2, 2018
In contrast to the carbs and desserts pictured, though sweet, this is unlikely to stick with readers.
A romance for carb (and pun!) lovers who dance to their own drummers and don’t give up on their dreams.
Bagel is a guy who loves to dance; when he’s tapping and twirling, he doesn’t feel plain. The problem is, he can’t find a partner for the Cherry Jubilee Dance Contest. Poppy says his steps are half-baked. Pretzel, “who was at the spa getting a salt rub…told him his moves didn’t cut the mustard.” He strikes out in Sweet City, too, with Croissant, Doughnut, and Cake. But just when he’s given up, he hears the music from the contest and can’t help moving his feet. And an echoing tap comes back to him. Could it be a partner at last? Yep, and she just happens to smell sweet and have frosting piled high. Bagel and Cupcake crush the contest, but winning the trophy? That “was just icing on the cake,” as the final sentence reads, the two standing proudly with a blue ribbon and trophy, hearts filling the space above and between them. Dardik’s digital illustrations are pastel confections. Sometimes just the characters’ heads are the treats, and other times the whole body is the foodstuff, with tiny arms and legs added on. Even the buildings are like something from “Hansel and Gretel.” However, this pun-filled narrative is just one of many of its ilk, good for a few yuks but without much staying power.
In contrast to the carbs and desserts pictured, though sweet, this is unlikely to stick with readers. (Picture book. 5-8)Pub Date: Jan. 2, 2018
ISBN: 978-1-4549-2239-1
Page Count: 32
Publisher: Sterling
Review Posted Online: Sept. 17, 2017
Kirkus Reviews Issue: Oct. 1, 2017
Share your opinion of this book
More by Natasha Wing
BOOK REVIEW
by Natasha Wing ; illustrated by Joanie Stone
BOOK REVIEW
by Natasha Wing with Lingfeng Ho ; illustrated by Amy Wummer
BOOK REVIEW
by Natasha Wing ; illustrated by Alexandra Boiger
by Antoinette Portis ; illustrated by Antoinette Portis ‧ RELEASE DATE: Dec. 1, 2006
Appropriately bound in brown paper, this makes its profound point more directly than such like-themed tales as Marisabina...
Dedicated “to children everywhere sitting in cardboard boxes,” this elemental debut depicts a bunny with big, looping ears demonstrating to a rather thick, unseen questioner (“Are you still standing around in that box?”) that what might look like an ordinary carton is actually a race car, a mountain, a burning building, a spaceship or anything else the imagination might dream up.
Portis pairs each question and increasingly emphatic response with a playscape of Crockett Johnson–style simplicity, digitally drawn with single red and black lines against generally pale color fields.
Appropriately bound in brown paper, this makes its profound point more directly than such like-themed tales as Marisabina Russo’s Big Brown Box (2000) or Dana Kessimakis Smith’s Brave Spaceboy (2005). (Picture book. 5-7)Pub Date: Dec. 1, 2006
ISBN: 0-06-112322-6
Page Count: 32
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2006
Share your opinion of this book
More by Antoinette Portis
BOOK REVIEW
by Antoinette Portis ; illustrated by Antoinette Portis
BOOK REVIEW
by Antoinette Portis ; illustrated by Antoinette Portis
BOOK REVIEW
by Antoinette Portis ; illustrated by Antoinette Portis
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.