by Willam C. Dietz ‧ RELEASE DATE: Oct. 3, 2006
Some arresting ideas, but given only a cursory workout in favor of nonstop action and starship velocity.
Second adventure in Dietz’s planet-hopping, far-future series (Runner, 2005).
Interstellar courier Jak Rebo promised the dead scientist Milos Lysander that he would convey the supercilious artificial intelligence named Logos to the planetoid Socket, where the AI can restore the downed system of star gates and thereby arrest humanity’s long slide toward barbarism. In this universe, dead people hang around on the spirit plane, communicating via psychic “sensitives” and occasionally taking over their bodies. Jak’s team consists of the sensitive Lonni Norr (she channels for Lysander) and hulking bodyguard Hoggles. Via Lonni, Lysander provides occasional advice and assistance, inasmuch as he is the former Emperor Hios, creator of the original star-gate system before he succumbed to megalomania—a general trend among these characters—and only he knows that there’s another Logos, a version 1.2 now known as Sogol, as capable as Logos but without the latter’s lust for power. Jak’s task is no easy one, however, because the Techno Society intends to grab Logos so it can control the star-gate system itself. The Techno Society is formidable enough, with deformed genius Omar Tephos, dead megalomaniac Jevan Kane, Kane’s sensitive channel Arn Dyson, combat variant Shaz and alluring assassin Du Phan; worse, they control most of the star gates that still operate. Also throwing roadblocks in Jak and company’s direction are various religious-fanatic anti-technology locals, a bunch of homicidal clowns and roustabouts from a traveling circus, a starship infested with cannibals and, unbeknownst to Jak, Logos itself, which hates humanity and intends to control the star gates for itself.
Some arresting ideas, but given only a cursory workout in favor of nonstop action and starship velocity.Pub Date: Oct. 3, 2006
ISBN: 0-441-01428-3
Page Count: 368
Publisher: Ace/Berkley
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2006
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Pierce Brown ‧ RELEASE DATE: Jan. 6, 2015
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...
Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.
The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.Pub Date: Jan. 6, 2015
ISBN: 978-0-345-53981-6
Page Count: 448
Publisher: Del Rey/Ballantine
Review Posted Online: Oct. 22, 2014
Kirkus Reviews Issue: Nov. 1, 2014
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