Lively courtroom scenes, as usual, but the rest is midgrade pulp.
Nobody takes more can’t-win cases than windmill-tilter Ben Kincaid. So why won’t he touch this one?
All Ben’s friends are mystified. Not only is the case impossible, but there’s no money in it—attributes that in the past have proved catnip to the quixotic Tulsa lawyer (Criminal Intent, 2002, etc.). The defendant is a 17-year-old horror only a mother could love. John Christensen is the son of engaging widow Ellen Christensen, once the girlfriend of . . . but that would be telling. Unlovely John stands accused of beating to death decent, likeable Tony Barovick for the crime of being gay. Insisting that he’s innocent of homicide, Johnny cops to the beating (“Why does everyone care so much about a goddamned fag?”), acknowledges that he stabbed the victim 12 times and broke both his knees, but swears Tony was still alive when he left him bloody and beaten. Reluctantly, Christina McCall, Ben’s partner, agrees to handle the defense alone. She’s smart, inexperienced, and painfully aware of the empty adjoining chair. To gain Ben’s help, however, she must first solve the mystery of his uncharacteristic behavior. Once she does, Ben joins the defense. They’re splendid together, of course, but the prosecution’s airtight case will take a miracle to defeat. So, bring on that staple of Bernhardt plotting, the deus ex machina.
Lively courtroom scenes, as usual, but the rest is midgrade pulp.Pub Date: Feb. 1, 2004
ISBN: 0-345-45147-3
Page Count: 368
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2003
Although the pace of this intricate tale is necessarily slow, the investigation and its ultimate destination are gripping.
An investigation into an 11-year-old murder unearths some surprising revelations in Inspector Ian Rutledge’s 21st case (The Gate Keeper, 2018, etc.).
Rutledge survived World War I shellshocked and living with the ghostly voice of Hamish, a comrade who died in his arms. When he helps a former soldier find his wife, the grateful man gives him a tip that might help Rutledge find one of the most wanted men in Britain, Alan Barrington, who was accused of murder over a decade earlier and hasn't been seen since. Rutledge's boss gives him the unwelcome job of following up the clue, which begins the inspector's unrelenting search for the truth. Barrington had been accused of engineering a motor crash that killed Blanche Thorne and gravely injured her second husband, Harold Fletcher-Munro. Barrington had been positive that Fletcher-Munro drove Barrington’s friend Mark Thorne to financial ruin and suicide so he could marry Blanche. Rutledge starts out by investigating Barrington’s friends, including his lawyer and estate agent, both of whom have known him for years. When each refuses to confirm or deny that he’s still alive, Rutledge begins to consider the possibility that Mark Thorne did not commit suicide but was murdered by one of the several men who wanted Blanche. Conversations with friends and relatives of the parties involved with Blanche reveal many conflicting opinions. Each snippet Rutledge gleans leads him deeper into a complex maze, but he never considers giving up even when his own wartime demons come to the fore.
Although the pace of this intricate tale is necessarily slow, the investigation and its ultimate destination are gripping.Pub Date: Feb. 5, 2019
ISBN: 978-0-06-267874-4
Page Count: 352
Publisher: Morrow/HarperCollins
Review Posted Online: Nov. 12, 2018
Kirkus Reviews Issue: Dec. 1, 2018
As in summer movies, a triple dose of violence conceals the absence of real menace when neither victims nor avengers stir...
Dr. Alex Cross has left Metro DC Homicide for the FBI, but it’s business as usual in this laughably rough-hewn fairy tale of modern-day white slavery.
According to reliable sources, more people are being sold into slavery than ever before, and it all seems to be going down on the FBI’s watch. Atlanta ex-reporter Elizabeth Connolly, who looks just like Claudia Schiffer, is the ninth target over the past two years to be abducted by a husband-and-wife pair who travel the country at the behest of the nefarious Pasha Sorokin, the Wolf of the Red Mafiya. The only clues are those deliberately left behind by the kidnappers, who snatch fashion designer Audrey Meek from the King of Prussia Mall in full view of her children, or patrons like Audrey’s purchaser, who ends up releasing her and killing himself. Who you gonna call? Alex Cross, of course. Even though he still hasn’t finished the Agency’s training course, all the higher-ups he runs into, from hardcases who trust him to lickspittles seething with envy, have obviously read his dossier (Four Blind Mice, 2002, etc.), and they know the new guy is “close to psychic,” a “one-man flying squad” who’s already a legend, “like Clarice Starling in the movies.” It’s lucky that Cross’s reputation precedes him, because his fond creator doesn’t give him much to do here but chase suspects identified by obliging tipsters and worry about his family (Alex Jr.’s mother, alarmed at Cross’s dangerous job, is suing for custody) while the Wolf and his cronies—Sterling, Mr. Potter, the Art Director, Sphinx, and the Marvel—kidnap more dishy women (and the occasional gay man) and kill everybody who gets in their way, and quite a few poor souls who don’t.
As in summer movies, a triple dose of violence conceals the absence of real menace when neither victims nor avengers stir the slightest sympathy.Pub Date: Nov. 5, 2003
ISBN: 0-316-60290-6
Page Count: 400
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2003
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