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FOUR FRIENDS

PROMISING LIVES CUT SHORT

An emotionally intense reminder—though not always intentionally so—that even privilege must kneel before fate.

A memoir/biography about four of the author’s Andover classmates, each of whom died an early, violent death.

Cohan (Why Wall Street Matters, 2017, etc.), a New York Times columnist, Vanity Fair special correspondent, and CNBC on-air contributor, returns with a very personal, occasionally grim text. In addition to the stories of his classmates, he also provides information about the history of Andover, the only “American high school [that] has produced two presidents of the United States.” The four friends were Jack Berman, Will Daniel, Harry Bull, and John F. Kennedy Jr. (Guess who receives the lion’s share of the pages?) The author’s approach is consistent: He sketches the person’s background, focusing on the Andover years (he alludes occasionally to his own contacts with each), and then leads us through the post-Andover life. One was gunned down in a mass shooting in a law firm; a taxi struck and killed another; the third drowned—with his two young daughters—while sailing on Lake Michigan; the fourth, as most readers will remember, perished in a plane crash on the way to Martha’s Vineyard. Cohan is frank about the struggles each figure faced in his life, from substance abuse to marital difficulties to psychological issues. Although the author mentions the many advantages all four men enjoyed—easy access to money, higher education, and employment—he keeps our attention on the human side of their lives. He reminds us of Kennedy’s famous little-boy salute at his father’s funeral procession in 1963, his stunning good looks (a “Sexiest Man Alive” for People), his now-and-then academic struggles (he twice failed the bar exam), his sometimes-raucous marriage, and his involvement in the creation of the defunct George magazine. Though portions of the narrative are undeniably moving and poignant, some readers may grow weary of the privilege on display.

An emotionally intense reminder—though not always intentionally so—that even privilege must kneel before fate.

Pub Date: July 9, 2019

ISBN: 978-1-250-07052-4

Page Count: 384

Publisher: Flatiron Books

Review Posted Online: April 27, 2019

Kirkus Reviews Issue: May 15, 2019

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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