by William de Rham ‧ RELEASE DATE: N/A
A familiar but engaging and thoughtful time travel tale.
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A modern American teen is pulled back in time to help out Benjamin Franklin in this debut YA novel.
Unlike the rest of his family—his father, his mother, and his brother, Gus, who was killed in the War in Afghanistan—Marcus Santana has no interest in history. He doesn’t even care about Benjamin Franklin even though his family home in Philadelphia abuts Franklin Court, where the famous statesman and inventor used to live. All this changes on his 17th birthday, when the struggling high school student and aspiring actor is accidentally sucked into a strange blue light in his basement. When he’s spat out on the other side, he’s still in a basement, but a strange old man is staring down at him: “His high, pale forehead looms dome-like and alien…his yellow-ish, bloodshot eyes study me….I realize I’m looking at them through the man’s glasses: round, thick lenses with horizontal lines through the middle, set in heavy, gray-metal frames.” The man, of course, is Franklin, and the year is 1787. Not only that, Franklin tells Marcus that he’s visited the statesman before. But those other visits, while in Franklin’s past, appear to still be in Marcus’ future. The portal closes behind him, leaving Marcus trapped in the past with no money, friends, or means of getting home. Franklin forces Marcus to work to earn his keep—a fact that the teen bristles at—but the boy’s knowledge of shorthand makes him the perfect candidate to be the inventor’s “amanuensis.” The next four months are a period of tremendous importance to Franklin, as the most important men in the country have gathered to figure out a way in which the nation should be governed. Marcus will find himself right in the middle of it, and all he can do is hope he won’t screw anything up that will change the face of American history.
In this series opener, de Rham’s prose is lively and humorous, making the most of Marcus’ fish-out-of-water situation: “The mood in Franklin’s garden is festive. The ale, wine, and rum flow. Elise passes amongst the committee members, offering oysters and clams, and drawing more than one appreciative look, which makes me jealous. Franklin has me bring down his glass ’armonica, the musical instrument he invented.” The premise is admittedly a clichéd one, and all the expected beats arrive on time. The requisite Founding Fathers turn up, and a good deal of the book is focused on the composition of the Constitution. For this reason, certain sections of the novel feel predictably didactic—more in the way of 1776 than Hamilton. Still, the author attempts to deal with the less romantic aspects of the time period as well, particularly slavery via the character of Franklin’s Black servant, Elise. Marcus is an endearingly petulant protagonist, and the portrait of Franklin is a surprisingly complex one: He manages to come off as charming, boorish, altruistic, and hypocritical all at once. The volume feels a bit long, in part because there isn’t much suspense regarding either the fate of the Congress or the destinies of the protagonists. That said, the work has more depth than readers will expect, and it will leave them curious as to what other important events Marcus will bear witness to.
A familiar but engaging and thoughtful time travel tale.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: Manuscript
Review Posted Online: July 14, 2020
Kirkus Reviews Issue: Sept. 15, 2020
Review Program: Kirkus Indie
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by Vera Brosgol & illustrated by Vera Brosgol ‧ RELEASE DATE: June 7, 2011
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and...
A deliciously creepy page-turning gem from first-time writer and illustrator Brosgol finds brooding teenager Anya trying to escape the past—both her own and the ghost haunting her.
Anya feels out of place at her preppy private school; embarrassed by her Russian heritage, she has worked hard to lose her accent and to look more like everyone else. After a particularly frustrating morning at the bus stop, Anya storms off, only to accidentally fall down a well. Down in the dark hole, she meets Emily, a ghost who claims to be a murder victim trapped down in the dank abyss for 90 years. With Emily’s help, Anya manages to escape, though once free, she learns that Emily has traveled out with her. At first, Emily seems like the perfect friend; however, once her motives become clear, Anya learns that “perfect” may only be an illusion. A moodily atmospheric spectrum of grays washes over the clean, tidy panels, setting a distinct stage before the first words appear. Brosgol’s tight storytelling invokes the chilling feeling of Neil Gaiman’s Coraline (2002), though for a decidedly older set.
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and outward appearance. (Graphic supernatural fiction. 12 & up)Pub Date: June 7, 2011
ISBN: 978-1-59643-552-0
Page Count: 224
Publisher: First Second
Review Posted Online: April 18, 2011
Kirkus Reviews Issue: May 1, 2011
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by Lauren Roberts ‧ RELEASE DATE: Nov. 7, 2023
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
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