Sometimes cranky but consistently engaging takes on cultural corrosion and collapse.
Sharp commentaries on the arts and academia and the forces the author believes threaten them.
This selection of essays by veteran critic Deresiewicz, which followsThe Death of the Artist, reveals an open-mindedness when it comes to subject matter. The author writes enthusiastically about fiction, dance, TV, and more. He admires heterodox intellectuals like Harold Rosenberg and polymaths like Clive James. But he also writes with a conservative cantankerousness about what he sees as higher education’s descent into groupthink and younger generations’ rush to embrace it. In multiple essays, he decries colleges’ dismantling of the humanities in favor of STEM departments more obviously capable of minting interchangeable employees, and he calls out the dogmatic thinking that consumes elite institutions. He gripes about political correctness, partly in exasperation with its knee-jerk tendencies (“If you are a white man, you are routinely regarded as guilty until proven innocent”), but he’s also upset at its broader cynicism, the way it’s a “fig leaf for the competitive individualism of meritocratic neoliberalism, with its worship of success above all.” When Deresiewicz, the winner of a National Book Critics Circle award for excellence in reviewing, has a juicy target, it can be surprisingly good fun: His assault on Harold Bloom’s late-era woolliness is a classic takedown, and his jeremiad about the folly of elevating food to an art form is debatable in the right way: a provocation with enough facts behind it to be worth discussing. A stronger sense of humor might help some of his assertions go down easier, and he’s capable of it, as in a wry piece about Bernard Malamud, a fellow fish-out-of-water Jew in Oregon. Deresiewicz’s soberness speaks to the intensity of his concern: The humanities are under threat by legislators, technology, and its own practitioners, and he’s a passionate advocate for their dignity.
Sometimes cranky but consistently engaging takes on cultural corrosion and collapse.Pub Date: Aug. 23, 2022
ISBN: 978-1-250-85864-1
Page Count: 320
Publisher: Henry Holt
Review Posted Online: May 11, 2022
Kirkus Reviews Issue: June 15, 2022
A hopeful civic sermon favoring inspiration over concrete prescriptions.
A New Jersey senator’s moral manifesto.
Booker situates his narrative in the wake of his 2025 record-breaking 25-hour stand on the Senate floor, an act of physical endurance and moral insistence that serves as its animating example. Though not framed as memoir, the episode implicitly positions Booker himself as a model of the virtues he argues are essential to democratic life. Organized around 10 qualities, including agency, vulnerability, truth, perseverance, and grace, the book advances a clear thesis. “In this book, I argue that many Americans who came before us, and many among us today, have consistently proven that virtues are practical: They expand our power, deepen our sense of belonging, and equip us to endure and ultimately prevail.” Booker illustrates this claim through figures such as the late U.S. Rep. John Lewis, whose willingness to endure sacrifice for principle anchors the book’s moral lineage, and Supreme Court Justice Ketanji Brown Jackson, whose composure under public scrutiny is presented as an example of dignity as civic strength. These portraits reinforce Booker’s belief that character, sustained over time, can shape public life, even when political outcomes remain uncertain or incomplete. He supplements these examples with personal stories drawn from family, faith, and community, delivered with emotional conviction and a tone that remains affirming and carefully calibrated. Much of the narrative reads like an expansive commencement address, earnest and reassuring, offering moral affirmation at moments when readers might reasonably expect sharper confrontation. That rhetorical choice ultimately defines the book’s limits. Booker acknowledges political conflict and compromise, but rarely examines them in depth, and while urging leaders to take moral risks, he avoids sustained reflection on how some of his own political decisions have tested the virtues he promotes. The result is a principled but self-conscious work that affirms shared values while offering little guidance for navigating power and accountability.
A hopeful civic sermon favoring inspiration over concrete prescriptions.Pub Date: March 24, 2026
ISBN: 9781250436733
Page Count: 272
Publisher: St. Martin's
Review Posted Online: March 24, 2026
Kirkus Reviews Issue: March 15, 2026
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
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