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ZERO O'CLOCK

Commendable ambition that may help readers look forward.

Already reeling from loss, a Black high school senior brings her OCD, anxiety, and depression into March 2020.

In the early stages of the Covid-19 pandemic, Gethsemane Montego is a musical-theater–loving, BTS-fangirling, 16-year-old senior at New Rochelle High School. She and her two best friends—Jewish Korean valedictorian Tovah and Cuban American star quarterback Diego—attend the same high school where Geth’s security guard father died tragically three years ago during a shooting. Geth resents how quickly her mother has moved on—with a White man, at that—but, as best they can, her friends help her manage the increases in her anxiety and compulsions as well as her stifling grief. Awaiting admission results from Columbia is an added stressor, but as the coronavirus case numbers quickly shoot up, Geth faces multiple burdens and traumas. Police violence, racial inequity, hyperpartisanship, immigration, economic anxieties, and a complicated coming-out story all pile on top of the pandemic’s hefty body count. Geth is a likable, smart Gen Z protagonist in this modern epistolary work that combines diary entries, text messages, news reports, emails, and English lit essays to immersive effect. Wringing so much content, so much hurt, into a YA novel is a tall order that yields very mixed results. Still, whether through cutting humor or disparate political perspectives, Farley offers readers undeniable value in this retelling of recent, unforgettable history.

Commendable ambition that may help readers look forward. (Fiction. 14-adult)

Pub Date: Sept. 7, 2021

ISBN: 978-1-61775-975-8

Page Count: 288

Publisher: Black Sheep Press

Review Posted Online: June 23, 2021

Kirkus Reviews Issue: July 15, 2021

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RED HOOD

A timely and unabashedly feminist twist on a classic fairy tale.

Sixteen-year-old Bisou Martel’s life takes a profound turn after encountering an aggressive wolf.

Following an embarrassing incident between Bisou and her boyfriend, James, after the homecoming dance, a humiliated Bisou runs into the Pacific Northwest woods. There, she kills a giant wolf who viciously attacks her, upending the quiet life she’s lived with her Mémé, a poet, since her mother’s violent death. The next day it’s revealed that her classmate Tucker— who drunkenly came on to her at the dance—was found dead in the woods with wounds identical to the ones Bisou inflicted on the wolf. When she rescues Keisha, an outspoken journalist for the school paper, from a similar wolf attack, Bisou gains an ally, and her Mémé reveals her bloody and brave legacy, which is inextricably tied to the moon and her menstrual cycle. Bisou needs her new powers in the coming days, as more wolves lie in wait. Arnold (Damsel, 2018, etc.) uses an intriguing blend of magic realism, lyrical prose, and imagery that evokes intimate physical and emotional aspects of young womanhood. Bisou’s loving relationship with gentle, kind James contrasts with the frank exploration of male entitlement and the disturbing incel phenomenon. Bisou and Mémé seem to be white, Keisha is cued as black, James has light-brown skin and black eyes, and there is diversity in the supporting cast.

A timely and unabashedly feminist twist on a classic fairy tale. (Fantasy. 14-18)

Pub Date: Feb. 25, 2020

ISBN: 978-0-06-274235-3

Page Count: 368

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: Nov. 18, 2019

Kirkus Reviews Issue: Dec. 15, 2019