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PLAGUES AND PEOPLES

McNeill's global history of infectious disease and its effect on the political destinies of men is built on a stunning analogy: the "microparasitism" of viruses and bacteria—carriers of typhoid, malaria, et al.—is intimately bound up with the "macroparasitism" of human predators, be they Chinese warlords, Roman soldiers, or Spanish conquistadors. Epidemological upheavals produce disarray in political and social structures; conversely microparasitic stability which allows for population growth and food surpluses seems to be a prerequisite of macroparasitic equilibrium. McNeill develops this thesis initially by examining the "disease pools" of ancient China, the Indian subcontinent, and the Mediterranean. Rome's decay between 200 and 600 A.D. demonstrates that when a new disease (in this case smallpox and measles) strikes a previously unexposed population, catastrophic die-offs occur. Much later, the age of oceanic exploration (1450-1550) brought similar cataclysms to Mexico and Peru where the native Amerindian populations (who had no immunity to Eurasia's "common childhood diseases") died off by the millions. Nothing escapes McNeill's reckoning: the Hindu caste system; the impetus epidemics gave to early Christianity which stressed the evanescence of human life and—no small matter—the nursing and care of the sick; the lethal blow which the advent of the bubonic plague in 14th-century Europe dealt to the rational theology of Acquinas; the "disease barrier" which until the 19th century kept the technologically advanced "macroparasites" of European imperialism from effective penetration of Africa. To be sure the scanty and often indecipherable medical writings of the ancient world force McNeill to rely on a great deal of speculation, deduction, and even guesswork. The book will provoke arguments from countless specialists. No matter. Plagues and People, a glorious successor to The Rise of the West, integrates ecology and demography with politics and culture on a vast scale. A brilliantly conceptualized and challenging scholarly achievement.

Pub Date: Sept. 10, 1976

ISBN: 0385121229

Page Count: 372

Publisher: Anchor

Review Posted Online: May 21, 2012

Kirkus Reviews Issue: Sept. 1, 1976

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STRAIGHT, NO CHASER

THE LIFE AND GENIUS OF THELONIOUS MONK

A ramshackle biography of the legendary jazz innovator. Gourse (Madame Jazz, 1995, etc.) has researched Monk's life thoroughly, interviewing his surviving family members and musical cohorts, as well as combing the archives for contemporary profiles and reviews of his work. Sadly, however, there's insufficient narrative thread here to stitch together Gourse's assemblage of quotes. Monk grew up in New York City; by 1934, when he was 16, he had dropped out of school to devote his full attention to the piano. After touring the country with a gospel group, he returned to New York and began experimenting with his uniquely personal tonal and rhythmic language, often identified as the essential ammunition of the bebop revolution. While Monk profoundly influenced Dizzy Gillespie and Miles Davis, it wasn't until the late '50s that his seminal gigs at Manhattan's Five Spot garnered him full public recognition as a musician and composer. He was equally famous for his eccentricities: Generally late for his performances, he often left the piano and danced around the stage, letting the ever-changing members of his quartet supply the music. In private, Monk was notoriously taciturn, and occasionally he would experience episodes of complete withdrawal that required his hospitalization. Gourse entertains the idle speculations of many nonexpert acquaintances about the causes of his behavior, but the conclusion she seems to support—possible extensive use of unspecified drugs, complicated by genius—is vague. And about Monk's music the author offers silly tautologies like, ``In the aggregate, his songs comprised an oeuvre, each a commentary on his unique universe of sound.'' The book's obvious title, already used for a Monk documentary, is a perfect tipoff that Gourse has little to say about her subject that is imaginative or useful. (photos, not seen)

Pub Date: Oct. 1, 1997

ISBN: 0-02-864656-8

Page Count: 368

Publisher: Simon & Schuster

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Sept. 1, 1997

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TILLI'S STORY

MY THOUGHTS ARE FREE

Schulze’s courageous story fills a major gap in the story of the world’s greatest conflict, and she deserves a wide audience...

This compelling memoir of a German girl’s bitter, frightening life reveals the horrors visited upon an average family caught between two of the most cruel dictators in history.

Amidst the copious histories of Hitler and Stalin, historians have often neglected the horrific tales of innocent girls like Schulze, who early in World War II survived Nazi occupation, then was forced to hide in a secret attic for months at war’s end to escape sexual attacks from the invading rampages of the Russians. The Russian soldiers pillaged her tiny village of Doelitz, where women scrubbed their faces with ashes and dirt to make themselves unappealing to the Red Army’s serial rapists. With professional writer Collier’s help, Schulze tells a ground-level story that is at once haunting and shocking in its narration of ordinary, peaceful lives shattered forever by war. The small, poignant touches are riveting–the family’s favorite horse being dragged away to haul artillery; their argument about whether to follow Nazi orders to display Hitler’s portrait. Her inspiring story concludes with the long, harrowing struggle to escape to West Germany, followed by a months-long wait for a berth on a ship bound for America. Her first tastes of ice cream and pineapple aboard the ship are a fitting climax to a tale of never-ending stress and fear–and ultimately, redemption.

Schulze’s courageous story fills a major gap in the story of the world’s greatest conflict, and she deserves a wide audience of all ages.

Pub Date: Oct. 3, 2005

ISBN: 0-58348-072-2

Page Count: -

Publisher: N/A

Review Posted Online: May 23, 2010

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